Zona de identificação
Código de referência
Título
Data(s)
- 1979, 1981, undated (Produção)
Nível de descrição
Dimensão e suporte
One ring bound volume of Benesh Movement Notation score with brown card covers, three loose pages of score, one plain sheet of paper with handwritten notes, 22 pages and eight photocopies of pages with stage grid plans
Zona do contexto
Nome do produtor
História biográfica
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
Nome do produtor
História biográfica
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História do arquivo
Fonte imediata de aquisição ou transferência
Zona do conteúdo e estrutura
Âmbito e conteúdo
Kenneth MacMillan created the three-act ballet Romeo and Juliet for The Royal Ballet which premiered on 9.2.1965 at the Royal Opera House. The ballet continues to be performed regularly by The Royal Ballet and is also in the repertory of ballet companies around the world. There are five files relating to the Benesh Movement Notation score, mostly the rough score recorded by Faith Worth with some later material recorded by Tom Steuart. This file contains the material recorded by Tom Steuart and comprises
- One ring bound score with brown card covers with Opening Dance Act 2 Romeo/Juliet Changes Oct 1979 and Mandolin Dance Act 2, Romeo/Juliet June 1981 handwritten in black biro on the front cover, with 43 pages of score with photocopies of score pasted onto left page, 14 pages are not bound
- One plain sheet of paper with handwritten description of townswomen and whores dance
- Nine small, 13 large and 8 large photocopied pages with grid of stage area with notes and notations
Avaliação, seleção e eliminação
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Sistema de arranjo
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Condições de acesso
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Idioma do material
Script do material
Notas ao idioma e script
Características físicas e requisitos técnicos
Instrumentos de descrição
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Existência e localização de originais
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Unidades de descrição relacionadas
Zona das notas
Nota
The ring bound volume of score was recorded by Tom Steuart; the pages with stage grid may have been compiled by Faith Worth
Identificador(es) alternativo(s)
Pontos de acesso
Pontos de acesso - Assuntos
Pontos de acesso - Locais
Pontos de acesso - Nomes
- MacMillan, Kenneth (Assunto)
- Steuart, Douglas (Assunto)
- Worth, Faith (Assunto)