Zone d'identification
Cote
Titre
Date(s)
- 1984-1991 (Création/Production)
Niveau de description
Étendue matérielle et support
Two typed agreements, one interdepartmental communication with two typed pages attached, one handwritten note, four typed letters, one handwritten and eight typed faxes, one full colour sales brochure
Zone du contexte
Nom du producteur
Notice biographique
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
Nom du producteur
Notice biographique
Histoire archivistique
Source immédiate d'acquisition ou de transfert
Zone du contenu et de la structure
Portée et contenu
The material in this file comprises correspondence and agreements relating to recordings of Kenneth MacMillan's work made by the National Video Corporation. It includes
- An agreement for the recording and distribution of performances of Triad by American Ballet Theatre, 1984
- An idc from Janet Judd, Press Office for The Royal Ballet, with credits for Romeo and Juliet, 1985
- A letter and agreement for the recording of the bedroom pas de deuxs from Manon and Romeo and Juliet for use in a programme on Natalia Makarova, 1985
- Faxes asking to extend the agreement for Manon, 1991
- Correspondence for the use of Manon and Romeo and Juliet in the programme Variations on an Enigma, 1990
- Correspondence and agreements for the use of Manon and The Prince of the Pagodas, 1990 and 1991
- Faxes re the dispute with Mme A Bessant-Massenet over the credits required for the music used for Manon
- Double page colour sales brochure with details of Manon with colour photo of Anthony Dowell and Jennifer Penney, n.d.
Appraisal, destruction and scheduling
Accruals
System of arrangement
Zone des conditions d'accès et d'utilisation
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Conditions governing reproduction
Language of material
Script of material
Language and script notes
Caractéristiques matérielle et contraintes techniques
Finding aids
Zone des sources complémentaires
Existence and location of originals
Existence and location of copies
Related units of description
Zone des notes
Identifiant(s) alternatif(s)
Mots-clés
Mots-clés - Lieux
Mots-clés - Noms
- MacMillan, Kenneth (Sujet)
- Makarova, Natalia (Sujet)
Mots-clés - Genre
Zone du contrôle de la description
Identifiant de la description
Identifiant du service d'archives
Rules and/or conventions used
Statut
Niveau de détail
Dates of creation revision deletion
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Sources
Archivist's note
Faxes have been scanned and are stored here https://royalacademydance.sharepoint.com/:f:/s/Files-LibraryAndArchive/EqXJzq_0hVlMgqNz7SyzDy8BYFCNnEH_FJQoD1Rf7fwoDQ?e=3sK3wf