Identity area
Reference code
Title
Date(s)
- 1984-1991 (Creation)
Level of description
Extent and medium
Two typed agreements, one interdepartmental communication with two typed pages attached, one handwritten note, four typed letters, one handwritten and eight typed faxes, one full colour sales brochure
Context area
Name of creator
Biographical history
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
Name of creator
Biographical history
Repository
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Immediate source of acquisition or transfer
Content and structure area
Scope and content
The material in this file comprises correspondence and agreements relating to recordings of Kenneth MacMillan's work made by the National Video Corporation. It includes
- An agreement for the recording and distribution of performances of Triad by American Ballet Theatre, 1984
- An idc from Janet Judd, Press Office for The Royal Ballet, with credits for Romeo and Juliet, 1985
- A letter and agreement for the recording of the bedroom pas de deuxs from Manon and Romeo and Juliet for use in a programme on Natalia Makarova, 1985
- Faxes asking to extend the agreement for Manon, 1991
- Correspondence for the use of Manon and Romeo and Juliet in the programme Variations on an Enigma, 1990
- Correspondence and agreements for the use of Manon and The Prince of the Pagodas, 1990 and 1991
- Faxes re the dispute with Mme A Bessant-Massenet over the credits required for the music used for Manon
- Double page colour sales brochure with details of Manon with colour photo of Anthony Dowell and Jennifer Penney, n.d.
Appraisal, destruction and scheduling
Accruals
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Conditions of access and use area
Conditions governing access
Conditions governing reproduction
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Script of material
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Finding aids
Allied materials area
Existence and location of originals
Existence and location of copies
Related units of description
Notes area
Alternative identifier(s)
Access points
Subject access points
Place access points
Name access points
- MacMillan, Kenneth (Subject)
- Makarova, Natalia (Subject)
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Description control area
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Dates of creation revision deletion
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Archivist's note
Faxes have been scanned and are stored here https://royalacademydance.sharepoint.com/:f:/s/Files-LibraryAndArchive/EqXJzq_0hVlMgqNz7SyzDy8BYFCNnEH_FJQoD1Rf7fwoDQ?e=3sK3wf