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- 1966-1980, n.d. (Creación)
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One handwritten and 45 typed letters, nine envelopes, one typed itinerary, two photocopied flight time tables, two printed Travel Authority forms, one typed company list with biro annotations, one typed rehearsal call, one typed cast list with biro annotations, one photocopy of a handwritten draft of an article with post-it note attached, three press cuttings and four photocopies of press cuttings, four printed forms, five compliments slips, one printed season leaflet, one booking form, one printed cast sheet and two press releases
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Historia biográfica
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
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This file includes correspondence between Kenneth and Deborah MacMillan and Anne Woolliams, Peggy van Praagh and Robert Helpmann, impresarios Lilian and Victor Hochauser and Sol Hurok and the MacMillans' agent, concerning requests by The Australian Ballet to perform some of Kenneth MacMillan's ballets. There is a photocopy of the manuscript draft of an article by Margaret Dale about Kenneth MacMillan rehearsing two dancers from The Australian in the pas de deux from Concerto to be performed in Manila.
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- MacMillan, Kenneth (Materia)
- van Praagh, Peggy (Materia)
- Dale, Margaret (Materia)
- Helpmann, Robert (Materia)
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Nota del archivista
The article by Margaret Dale would be interesting to digitise