File 43 - The Sleeping Beauty (American Ballet Theatre)

Identity area

Reference code

RAD/2/MAC/3/1/43

Title

The Sleeping Beauty (American Ballet Theatre)

Date(s)

  • 1986 (Creation)

Level of description

File

Extent and medium

One handwritten page, one envelope, three photocopied pages and six greetings telegrams

Context area

Name of creator

(1929-12-11 - 1992-10-29)

Biographical history

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

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Scope and content

Kenneth MacMillan was appointed Artistic Associate to American Ballet Theatre in 1986 and created a new production of The Sleeping Beauty that premiered on11 Feb 1987 in Chicago. The material comprises one page of handwritten notes about numbers of performers, in purple felt tip pen, undated, three pages of cast lists showing additional characters and name changes (large), and six telegrams of best wishes and congratulations, 10-12 Feb 1987. There is an envelope with some handwritten notes by Kenneth MacMillan on the back that may relate to this production, undated but postmarked 1 Jul 1988

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      Allied materials area

      Existence and location of originals

      Large pages stored in Box 51

      Existence and location of copies

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