Bestanddeel 2 - The Royal Ballet Correspondence 1960-1969

Identificatie

referentie code

RAD/2/MAC/7/21/2

Titel

The Royal Ballet Correspondence 1960-1969

Datum(s)

  • 1960-1969, n.d. (Vervaardig)

Beschrijvingsniveau

Bestanddeel

Omvang en medium

25 typed and four handwritten letters with six envelopes, four telegrams, three contracts, one compliments slip, one postcard, two interdepartmental communications, five typed pages and four press cuttings

Context

Naam van de archiefvormer

(1929-12-11 - 1992-10-29)

Biografie

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

Naam van de archiefvormer

Biografie

archiefbewaarplaats

Geschiedenis van het archief

Directe bron van verwerving of overbrenging

Inhoud en structuur

Bereik en inhoud

This file contains correspondence from members of The Royal Ballet and Royal Opera House management and technical teams relating to the staging of his works by The Royal Ballet. It includes letters from David Webster, John Tooley, Ninette de Valois, Frederick Ashton, John Field, John Copley and Adrian Grater. There are two contracts from the Royal Opera House for Kenneth MacMillan to create a work and to mount Concerto for The Royal Ballet, Ninette de Valois talks about working in Turkey and on seeing the film of Romeo and Juliet, Frederick Ashton sends congratulations on Concerto, thanks for performing Scenes de Ballet in Berlin, casting for Song of the Earth. There is a strongly worded letter from Kenneth MacMillan to Ninette de Valois complaining about 'the disastrous performances of my ballets in Edinburgh', tendering his resignation and enclosing press cuttings, 24 Aug 1960

Waardering, vernietiging en slectie

Aanvullingen

Ordeningstelsel

Voorwaarden voor toegang en gebruik

Voorwaarden voor raadpleging

Voorwaarden voor reproductie

Taal van het materiaal

    Schrift van het materiaal

      Taal en schrift aantekeningen

      Fysieke eigenschappen en technische eisen

      Toegangen

      Verwante materialen

      Bestaan en verblifplaats van originelen

      Bestaan en verblijfplaats van kopieën

      Related units of description

      Related descriptions

      Aantekeningen

      Alternative identifier(s)

      Trefwoorden

      Geografische trefwoorden

      Naam ontsluitingsterm

      Genre access points

      Beschrijvingsbeheer

      Identificatie van de beschrijving

      Identificatiecode van de instelling

      Toegepaste regels en/of conventies

      Status

      Niveau van detaillering

      Verwijdering van datering archiefvorming

      Taal (talen)

        Schrift(en)

          Bronnen

          Aantekeningen van de archivaris

          Some of this correspondence would be interesting to digitise

          Voorwaarden voor raadpleging en gebruik