Item 2 - The Burrow

Zona de identificação

Código de referência

RAD/2/MAC/3/4/1/2

Título

The Burrow

Data(s)

  • 1958 (Produção)

Nível de descrição

Item

Dimensão e suporte

One ring-bound handwritten score, 43 pages numbered 3-45, size 31.2 cm x 26.8 x 10

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Nome do produtor

(1929-12-11 - 1992-10-29)

História biográfica

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

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Âmbito e conteúdo

Handwritten piano reduction of the score by Frank Martin, used by Kenneth MacMillan for his ballet The Burrow. It includes the names of dancers and details of the action of the ballet. Handwritten on music manuscript paper in pen and ink with some pencil markings visible. It is titled on the first page Concerto for 7 Wind Instruments Frank Martin 1949, and signed on the final page Piano Reduction by John Lanchbery. Some of the pages have R.C.I Printed in England upside down in top right corner

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      Nota

      Kenneth MacMillan used the Concerto for 7 Wind Instruments (Percussion and Strings) by Frank Martin for his ballet The Burrow, created in 1958. The concerto was written in 1949, the date given in the music score, but the piano reduction was prepared by John Lanchbery for MacMillan's ballet in 1958

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