Identity area
Reference code
Title
Date(s)
- 1987, n.d. (Creation)
Level of description
Extent and medium
11 typed pages of notes, 15 pages of seven typed letters, some with signatures and handwritten notes
Context area
Name of creator
Biographical history
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
Name of creator
Biographical history
Repository
Archival history
Immediate source of acquisition or transfer
Content and structure area
Scope and content
Georgina Parkinson was Ballet Mistress at American Ballet Theatre and worked on Kenneth MacMillan's production of The Sleeping Beauty. This file comprises typed notes following rehearsals and performances that Georgina Parkinson sent to Kenneth and Deborah MacMillan, plus letters to Deborah MacMillan describing difficulties Georgina Parkinson was facing at American Ballet Theatre
Appraisal, destruction and scheduling
Accruals
System of arrangement
Conditions of access and use area
Conditions governing access
Access to some of the correspondence is at the discretion of the Archives and Records Manager
Conditions governing reproduction
Language of material
Script of material
Language and script notes
Physical characteristics and technical requirements
Finding aids
Allied materials area
Existence and location of originals
Existence and location of copies
Related units of description
Notes area
Note
Some of the comments in the letters could be considered defamatory. The material should be reviewed by the Archives and Records Manager before allowing public access
Note
Pages of fax paper have been photocopied onto archival quality acid-free paper. The original papers have been retained as some have signatures and additional handwritten notes
Alternative identifier(s)
Access points
Subject access points
Place access points
Name access points
- MacMillan, Kenneth (Subject)
- MacMillan, Deborah (Subject)
- Parkinson, Georgina (Subject)
- American Ballet Theatre (Subject)