Documento 13 - Season 1986-1987 The Sleeping Beauty Correspondence re Casting

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RAD/2/MAC/7/2/13

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Season 1986-1987 The Sleeping Beauty Correspondence re Casting

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  • 1987, n.d. (Produção)

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10 typed letters, one hand written letter, two envelopes, one photocopy, two handwritten notes, one handwritten draft letter on two envelopes

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(1929-12-11 - 1992-10-29)

História biográfica

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

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Âmbito e conteúdo

In March 1987 there was an exchange of correspondence between Kenneth MacMillan, his agent Michael Oliver, and Charles France at American Ballet Theatre about Monica Parker's involvement in casting decisions for The Sleeping Beauty. The material includes three pages of handwritten notes by Deborah MacMillan about 'Things objecting to', a handwritten draft by Kenneth MacMillan to Charles France with things he took exception to, and a four page handwritten letter from Charles France to Kenneth MacMillan with apologies and explanation of events

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