Área de identidad
Código de referencia
Título
Fecha(s)
- 1987, n.d. (Creación)
Nivel de descripción
Volumen y soporte
10 typed letters, one hand written letter, two envelopes, one photocopy, two handwritten notes, one handwritten draft letter on two envelopes
Área de contexto
Nombre del productor
Historia biográfica
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
Nombre del productor
Historia administrativa
Institución archivística
Historia archivística
Origen del ingreso o transferencia
Área de contenido y estructura
Alcance y contenido
In March 1987 there was an exchange of correspondence between Kenneth MacMillan, his agent Michael Oliver, and Charles France at American Ballet Theatre about Monica Parker's involvement in casting decisions for The Sleeping Beauty. The material includes three pages of handwritten notes by Deborah MacMillan about 'Things objecting to', a handwritten draft by Kenneth MacMillan to Charles France with things he took exception to, and a four page handwritten letter from Charles France to Kenneth MacMillan with apologies and explanation of events
Valorización, destrucción y programación
Acumulaciones
Sistema de arreglo
Área de condiciones de acceso y uso
Condiciones de acceso
Access to this file is at the discretion of the Archives and Records Manager
Condiciones
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Notas sobre las lenguas y escrituras
Características físicas y requisitos técnicos
Instrumentos de descripción
Área de materiales relacionados
Existencia y localización de originales
Existencia y localización de copias
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Área de notas
Identificador/es alternativo(os)
Puntos de acceso
Puntos de acceso por materia
Puntos de acceso por lugar
Puntos de acceso por autoridad
- MacMillan, Kenneth (Materia)
- MacMillan, Deborah (Materia)
- Parker, Monica (Materia)
- American Ballet Theatre (Materia)
Tipo de puntos de acceso
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Reglas y/o convenciones usadas
Estado de elaboración
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Fechas de creación revisión eliminación
Idioma(s)
Escritura(s)
Fuentes
Nota del archivista
Access to this file is at the discretion of the Archives and Records Manager