Documento 2 - Season 1980-1981

Zona de identificação

Código de referência

RAD/2/MAC/7/2/2

Título

Season 1980-1981

Data(s)

  • 1980-1981, undated (Produção)

Nível de descrição

Documento

Dimensão e suporte

Four typed letters, two with envelopes, two typed pages, one printed ticket stub and one typed postcard

Zona do contexto

Nome do produtor

(1929-12-11 - 1992-10-29)

História biográfica

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

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Âmbito e conteúdo

Mikhail Baryshnikov succeeded Lucia Chase as Artistic Director of American Ballet Theatre in 1980. He was keen to retain and expand the number of works by Kenneth MacMillan in the Company's repertoire. The material in this file comprises

  1. One typed letter from Mikhail Baryshnikov to Kenneth MacMillan re keeping Concerto in the repertoire but suggesting new costumes by Santo Loquasto. He is also keen to have a new work from MacMillan for the 1981/82 season, 5 Apr 1980
  2. One typed page of casting for Concerto with annotations in blue biro and pencil
  3. One typed letter from Mikhail Baryshnikov reporting on success of having Monica (Parker?) teaching Concerto to the Company. Also hopes Santo Loquasto has contacted MacMillan about the costumes, 6 Nov 1980
  4. One ticket stub for ABT at Metropolitan Opera, Lincoln Center, New York, 9 Jun 1981
  5. Typed invitation to Sir Frederick Ashton to dinner at Mr and Mrs Anthony Bliss, General Manager of the Metropolitan Opera Association, Lincoln Center, New York, 1 Jul 1981. Sir Kenneth and Mrs MacMillan to bring him to the Bliss' apartment
  6. One typed letter enclosing a contract for signature, 1 Jul 1981 (the contract is not with the letter)
  7. Typed postcard from Richard Tanner inviting Kenneth MacMillan and family to dinner, n.d.

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