Bestanddeel 1 - Sadler's Wells Ballet correspondence 1945-1950

Identificatie

referentie code

RAD/2/MAC/7/20/1

Titel

Sadler's Wells Ballet correspondence 1945-1950

Datum(s)

  • 1945-1950, n.d. (Vervaardig)

Beschrijvingsniveau

Bestanddeel

Omvang en medium

One sepia pen and ink drawing, two printed menus, two photocopied pages, two handwritten and two typed letters

Context

Naam van de archiefvormer

(1929-12-11 - 1992-10-29)

Biografie

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

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archiefbewaarplaats

Geschiedenis van het archief

Directe bron van verwerving of overbrenging

Inhoud en structuur

Bereik en inhoud

  1. One sepia pen and ink drawing with Sadlers Wells in a banner. On reverse a pen and ink drawing of a woman, possibly a costume design
  2. Envelope address to Kenneth MacMillan, Sadler's Wells Ballet at the Royal Opera House, 1950
  3. Printed menu for the Edinburgh International Festival 1948. The front cover drawing includes two dancers, the back cover photographs include one of Margot Fonteyn and Robert Helpmann in Swan Lake
  4. Printed menu for Breakfast in the Dining Car on the Union Pacific Railroad, with 'Sadler's Wells Ballet, Covent Garden Opera and Sol Hurok Orchestra En route November 16, 1950' on reverse
  5. Two photocopies of a letter from Ninette de Valois to Miss Roche reporting on her impression of Kenneth MacMillan following his recent audition, 8 Jan 1945
  6. Two letters each from Ailne Phillips and Donald Albery to William MacMillan (Kenneth MacMillan's father) re scholarship and accommodation, Nov [1944] - Apr 1945

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          Although Sadler's Wells Ballet became The Royal Ballet in 1956, correspondence from 1957 has been retained in this file as it follows on correspondence from 1955

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