File 2 - Royal Opera House Correspondence 1970-1977

Identity area

Reference code

RAD/2/MAC/7/22/2

Title

Royal Opera House Correspondence 1970-1977

Date(s)

  • 1970-1977 (Creation)

Level of description

File

Extent and medium

One file of correspondence and administrative material including typed and handwritten letters, telegrams, postcards, business cards, typed memorandums, sale invoice tickets, press releases, press cuttings and compliments slips

Context area

Name of creator

(1929-12-11 - 1992-10-29)

Biographical history

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

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Scope and content

The material in this file covers the period when Kenneth MacMillan was Artistic Director of The Royal Ballet from 1970-1977.
Administrative material includes letters from Garrett, Lord Drogheda and Claus Moser, Chairmen of the Royal Opera House Board, John Tooley, John Copley and includes issues that arose with the dancers, with the Ballet Sub Committee and Board of the Royal Opera House, and Kenneth MacMillan's handwritten draft replies.
Letters from individuals include from Michael Benthall, Adrian Boult and Richard Buckle. There is a copy of a letter from Lincoln Kirstein to Richard Buckle about controversies that arose during The Royal Ballet's tour to New York in 1974 concerning Rudolf Nureyev, a telegram from Her Majesty Queen Elizabeth II, material relating to the Silver Jubilee Gala in 1977, the first night of Anastasia in 1971

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          Archivist's note

          Some of these items would be interesting to digitise

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