Area dell'identificazione
Codice di riferimento
Titolo
Date
- 1975-1992 (Creazione)
Livello di descrizione
Consistenza e supporto
One handwritten draft and 13 typed letters, one fax, five agreements, two pages of handwritten notes, one compliments slip, four telexes and one telegram
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Nome del soggetto produttore
Nota biografica
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
Nome del soggetto produttore
Nota biografica
Born in Queensland, Australia, Deborah Williams was educated in Sydney, won a scholarship to and studied painting and sculpture at the National School of Art. She moved to London in 1970, where she married Kenneth MacMillan. She has designed ballets for the stage and television and returned to painting full-time in 1984. She was a member of the Board of the Royal Opera House (1993-94) and was Chairman of The Friends of Covent Garden (1995-96). Between 1996 and 1998 she was a member of the Arts Council of England and Chair of the dance panel. She has been a member of Kenneth MacMillan and Partner LLP since 2011 and is custodian of her late husband's work.
Nome del soggetto produttore
Nota biografica
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This file contains correspondence and copies of agreements between Kenneth MacMillan and the Royal Opera House. There are letters and telexes from Michael Oliver, International Creative Management Inc, from John Tooley and Anthony Russell Roberts at the Royal Opera House, handwritten notes by Deborah MacMillan and notes and a draft letter from Kenneth MacMillan referencing his self-employed status and the implications for his pension. The material dates from 197[5] to 1992.
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The faxes and telexes have been copied onto archival quality acid-free paper and the originals disposed of
Identificatori alternativi
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Punti d'accesso per soggetto
Punti d'accesso per luogo
Punti d'accesso per nome
- MacMillan, Kenneth (Soggetto)
- MacMillan, Deborah (Soggetto)
- Royal Opera House, London (Soggetto)