Unità archivistica 2 - Royal Opera House Contracts 1975-1992

Area dell'identificazione

Codice di riferimento

RAD/2/MAC/7/25/2

Titolo

Royal Opera House Contracts 1975-1992

Date

  • 1975-1992 (Creazione)

Livello di descrizione

Unità archivistica

Consistenza e supporto

One handwritten draft and 13 typed letters, one fax, five agreements, two pages of handwritten notes, one compliments slip, four telexes and one telegram

Area del contesto

Nome del soggetto produttore

(1929-12-11 - 1992-10-29)

Nota biografica

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

Nome del soggetto produttore

(1944-07-01 -)

Nota biografica

Born in Queensland, Australia, Deborah Williams was educated in Sydney, won a scholarship to and studied painting and sculpture at the National School of Art. She moved to London in 1970, where she married Kenneth MacMillan. She has designed ballets for the stage and television and returned to painting full-time in 1984. She was a member of the Board of the Royal Opera House (1993-94) and was Chairman of The Friends of Covent Garden (1995-96). Between 1996 and 1998 she was a member of the Arts Council of England and Chair of the dance panel. She has been a member of Kenneth MacMillan and Partner LLP since 2011 and is custodian of her late husband's work.

Nome del soggetto produttore

Nota biografica

Istituto conservatore

Storia archivistica

Modalità di acquisizione

Area del contenuto e della struttura

Ambito e contenuto

This file contains correspondence and copies of agreements between Kenneth MacMillan and the Royal Opera House. There are letters and telexes from Michael Oliver, International Creative Management Inc, from John Tooley and Anthony Russell Roberts at the Royal Opera House, handwritten notes by Deborah MacMillan and notes and a draft letter from Kenneth MacMillan referencing his self-employed status and the implications for his pension. The material dates from 197[5] to 1992.

Valutazione e scarto

Incrementi

Sistema di ordinamento

Area delle condizioni di accesso e uso

Condizioni di accesso

Condizioni di riproduzione

Lingua dei materiali

    Scrittura dei materiali

      Note sulla lingua e sulla scrittura

      Caratteristiche materiali e requisiti tecnici

      Strumenti di ricerca

      Area dei materiali collegati

      Esistenza e localizzazione degli originali

      Esistenza e localizzazione di copie

      Unità di descrizione collegate

      Descrizioni collegate

      Area delle note

      Nota

      The faxes and telexes have been copied onto archival quality acid-free paper and the originals disposed of

      Identificatori alternativi

      Punti di accesso

      Punti d'accesso per soggetto

      Punti d'accesso per luogo

      Punti d'accesso per nome

      Punti d'accesso relativi al genere

      Area di controllo della descrizione

      Codice identificativo della descrizione

      Codice identificativo dell'istitituto conservatore

      Norme e convenzioni utilizzate

      Stato

      Livello di completezza

      Date di creazione, revisione, cancellazione

      Lingue

        Scritture

          Fonti

          Area dell'acquisizione