Documento 1 - Royal Opera House Contracts 1959-1984

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Código de referência

RAD/2/MAC/7/25/1

Título

Royal Opera House Contracts 1959-1984

Data(s)

  • 1959-1984 (Produção)

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Documento

Dimensão e suporte

One file of photocopied correspondence, agreements and contracts

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Nome do produtor

(1929-12-11 - 1992-10-29)

História biográfica

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

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História biográfica

Nome do produtor

(1944-07-01 -)

História biográfica

Born in Queensland, Australia, Deborah Williams was educated in Sydney, won a scholarship to and studied painting and sculpture at the National School of Art. She moved to London in 1970, where she married Kenneth MacMillan. She has designed ballets for the stage and television and returned to painting full-time in 1984. She was a member of the Board of the Royal Opera House (1993-94) and was Chairman of The Friends of Covent Garden (1995-96). Between 1996 and 1998 she was a member of the Arts Council of England and Chair of the dance panel. She has been a member of Kenneth MacMillan and Partner LLP since 2011 and is custodian of her late husband's work.

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Âmbito e conteúdo

Photocopies of nine agreements and contracts between Kenneth MacMillan and the Royal Opera House for his services as choreographer and Director of The Royal Ballet, with accompanying correspondence and interdepartmental communications. Correspondence includes a letter from John Tooley to MacMillan explaining the Royal Opera House's intention to introduce a contract for choreographers and enclosing a copy for MacMillan's comments, 23 Dec 1959. Later correspondence references conversations with Deborah MacMillan and proposed changes to contracts and rights. There is a covering typed form that lists the agreements by dates and some of the ballets referred to

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