Kenneth MacMillan created the three-act ballet Romeo and Juliet for The Royal Ballet which premiered on 9.2.1965 at the Royal Opera House. The ballet continues to be performed regularly by The Royal Ballet and is also in the repertory of ballet companies around the world. There are five files relating to the Benesh Movement Notation score, mostly the rough score recorded by Faith Worth with some later material recorded by Tom Steuart. This file contains the material recorded by Tom Steuart and comprises

1. One ring bound score with brown card covers with Opening Dance Act 2 Romeo/Juliet Changes Oct 1979 and Mandolin Dance Act 2, Romeo/Juliet June 1981 handwritten in black biro on the front cover, with 43 pages of score with photocopies of score pasted onto left page, 14 pages are not bound
2. One plain sheet of paper with handwritten description of townswomen and whores dance
3. Nine small, 13 large and 8 large photocopied pages with grid of stage area with notes and notations

Correspondence from administrative and artistic staff at the Royal Opera House including Anthony Russell Roberts, John Tooley, Paul Findlay, Peter Wright and Norman Morrice, the press and publications departments. It includes a handwritten draft and typed letter from Kenneth MacMillan to the Editor of The Guardian Newspaper and a typed letter from Peter Wright to Linda Christmas, in response to her article criticising MacMillan's period as Artistic Director of The Royal Ballet, concerns raised by Kenneth MacMillan and Norman Morrice about technical standards at the Royal Opera House, events to celebrate the 50th anniversary of The Royal Ballet and Sadler's Wells Royal Ballet in 1981, a performance of Romeo and Juliet to celebrate the marriage of TRH The Prince and Princess of Wales, 1981, Ninette de Valois's 80th birthday, the proposed premiere of The Prince of the Pagodas in 1983, to Cameron Mackintosh Productions re the possible release of Stephen Jefferies, the Financial Scrutiny of the Royal Opera House by Clive Priestley, the redevelopment of the Royal Opera House, possible performances by Natalia Makarova in the 1984/85 season.
There are handwritten letters from Ninette de Valois and her brother Gordon Anthony re Madam's 80th birthday, from Colin Davis and Norman Morrice, and postcards from Peter Wright from Yugoslavia, 1981, from Leslie Edwards, Monica Parker and Michael Somes from Japan and China, 1983.
Interdepartmental communications give details of press nights, interviews and photographers

This file relates to Kenneth MacMillan's first season as Artistic Associate and includes business and personal material. The file contains

1. Invitations to a photographic exhibition, to fund raising balls celebrating the first performances of Romeo and Juliet, a dinner in honour of Kenneth MacMillan and John Taras, and the National Society of Arts and Letters honouring Mikhail Baryshnikov
2. Three press releases announcing the 45th anniversary season of American Ballet Theatre, the Company premieres of Romeo and Juliet and of Anastasia
3. Office memos covering press and marketing events and some general admin, including comment on a dancer's weight and another's injury, and access to the viewing booth
4. Correspondence including a handwritten letter from Kenneth MacMillan to Deborah MacMillan, a handwritten letter from Princess Margaret expressing her regret at not being able to attend a performance in New York, letters of congratulations on the performances of Romeo and Juliet, a letter to Nora Kaye from Howard Rosenman enclosing a suggested treatment of The Death of Christopher Marlowe, to Kenneth MacMillan inviting him to join Dance Theatre of Harlem's Benefit Committee, to Deborah MacMillan about her theatrical jewellery

Kenneth MacMillan was appointed Artistic Associate to American Ballet Theatre from the 1984-1985 season, and his production of Romeo and Juliet was mounted by the Company in January 1985. The material in this file comprises

1. Staple bound typed booklet American Ballet Theatre National Tour 1984-1985, giving details of venues, travel arrangements, performances and doctors in each tour city, 17.12.1984-26.8.1985, with annotations by Kenneth MacMillan
2. One typed page of Proposed Schedule 1984-1985 season with handwritten annotations by Kenneth MacMillan in pencil and red felt tip pen, 28.3.1984
3. 18 typed pages of cast lists for each ballet in the repertoire, including Triad, 21.6.1984-11.4.1984
4. One typed page of Company List U.S. Tour 1984/85 with crosses by some names, 15.1.1985
5. One page of running times and one page of stage preparations for Romeo and Juliet, Washington 17.12 - 23.12.1984
6. Five typed pages of Costume List for Romeo and Juliet, 27.9.1984
7. One typed office memo re Visiting Designers, details of arrivals of Nicholas Georgiadis and Barry Kay, 23.11.1984
8. One typed office memo re production meeting re Romeo and Juliet schedule in Washington, 30.11.1984
9. One typed office memo from Charles France re the programme for New Year's Eve in Washington, 14.12.1984
10. Two typed pages of performance schedule for the Metropolitan Opera House 22.4.1985-15.6.1985, including Romeo and Juliet, with cast annotations by Kenneth MacMillan, in pencil and blue biro, 13.11.1984
11. 60 typed pages of rehearsal call sheets including for Romeo and Juliet, Anastasia and one for Manon, 29.9.1984-17.12.1984
12. Three typed pages of preliminary props list for Romeo and Juliet, 13.12.1984

In Kenneth MacMillan's second season as Artistic Associate, he created a new one-act ballet for the Company, Requiem to music by Andrew Lloyd Webber. The material in this file includes references to that work and to his one-act version of Anastasia, that was also performed that season. It includes

1. Two copies of a staple bound typed booklet American Ballet Theatre National Tour 1985-1986, giving details of venues, travel arrangements, performances and doctors in each tour city, 16.12.1985-25.8.1986, one annotated with a breakdown of the music and singers for Requiem by Kenneth MacMillan in pencil on the back cover
2. General administrative material including Personnel Contact List, the Company list for the Metropolitan Opera House season, cast lists for Romeo and Juliet in Washington and New York, details of costume fittings, draft programme proposal, itinerary and flight schedule, calendar schedule grid for 1985-1986 season, cast list for Wolf Trap season with covering letter, and 1986 production budget
3. Gala menu for first night of Requiem
4. Correspondence including to Deborah MacMillan concerning her costume jewellery that was copied for Anastasia

The material in this file consists of typed cast lists for Romeo and Juliet, with Kenneth MacMillan's annotations in pencil, cast lists and weekly schedules, some with handwritten annotations, three typed letters including one from Twyla Tharp, and one fax of a marketing leaflet for the 1989 Spring Season

The material in this file relates to the filming of a performance of Kenneth MacMillan's Romeo and Juliet at the Royal Opera House by the BBC. It comprises

1. Three letters re arrangements for filming, including concern about the state of the costumes, props and sets
2. Technical Requirements Document from Colin Nears, Producer, 10 pages, 16 Jul 1984
3. Recordings of Captions with full details, eight pages, 24 Jul 1984
4. Second Draft Camera Script, 54 pages, 23 Jul 1984
5. Script for Richard Baker's introductions, with filming instructions, six pages, n.d.
6. Camera Script for recording on 8 Aug 1984, 112 pages
7. Printed cast sheet for the television recording at the Royal Opera House, 8 Aug 1984, with instructions to the audience

One photograph of the first production of Romeo and Juliet, one photograph taken from the wings of the Royal Opera House, Covent Garden, during a curtain call for Margot Fonteyn and the cast of a performance given in her honour, one colour photograph of the tomb scene (large)

This file contains correspondence from members of The Royal Ballet and Royal Opera House management and technical teams relating to the staging of his works by The Royal Ballet. It includes letters from David Webster, John Tooley, Ninette de Valois, Frederick Ashton, John Field, John Copley and Adrian Grater. There are two contracts from the Royal Opera House for Kenneth MacMillan to create a work and to mount Concerto for The Royal Ballet, Ninette de Valois talks about working in Turkey and on seeing the film of Romeo and Juliet, Frederick Ashton sends congratulations on Concerto, thanks for performing Scenes de Ballet in Berlin, casting for Song of the Earth. There is a strongly worded letter from Kenneth MacMillan to Ninette de Valois complaining about 'the disastrous performances of my ballets in Edinburgh', tendering his resignation and enclosing press cuttings, 24 Aug 1960

Articles about the making of and reviews of performances of Romeo and Juliet, including six large