Unidad documental compuesta 13 - Romeo and Juliet

Área de identidad

Código de referencia

RAD/2/MAC/3/3/13

Título

Romeo and Juliet

Fecha(s)

  • 1970, 1980, Undated (Creación)

Nivel de descripción

Unidad documental compuesta

Volumen y soporte

Four ring bound volumes, 15 loose pages of Benesh Movement Notation score

Área de contexto

Nombre del productor

(1929-12-11 - 1992-10-29)

Historia biográfica

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

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Kenneth MacMillan created the three-act ballet Romeo and Juliet for The Royal Ballet which premiered on 9.2.1965 at the Royal Opera House, London. The ballet continues to be performed regularly by The Royal Ballet and is also in the repertory of ballet companies around the world. There are five files relating to the Benesh Movement Notation score mostly the rough score recorded by Faith Worth with some later material recorded by Tom Steuart.. This file contains the rough score by Faith Worth and comprises

  1. Two title pages giving Book Numbers and contents, handwritten in black biro on score paper
  2. Book 12, ring bound in blue card covers, with Romeo Act I Fight, Act II Letter Scene and Act II Romeo and Tybalt Fight on front cover, with notes and date 1980 in top right cover, in black biro over pencil and blue biro. 13 pages of score handwritten in pencil, blue biro and red felt pen. No back cover
  3. Book 1, ring bound in blue card covers with Romeo, Romeo and Juliet on front cover with other details crossed out and details of Notes contained in the book added. Pencil, blue biro and felt tip pen, red felt tip pen. Two pages of score handwritten in pencil with green and black felt pen additions. Internal divider of blue card with Book 8, Corps - wedding Act II, Romeo, and Act III Potion Scene - Juliet written in blue felt tip pen, blue biro and pencil. Other details crossed out. Three pages of score handwritten in pencil
  4. 13 loose pages of score handwritten in pencil, with lists of some casts, December 1971 and 1975
  5. Book 10, ring bound in blue card covers with Romeo and Juliet Act I and a list of the dances in Act I, scene 4 in blue biro, with 14 pages of handwritten score in pencil, including six blank pages.
  6. Book 3, ring bound in blue card covers with Romeo and Juliet Act I Balcony Pas de Deux and Act III Bedroom Pas de Deux in blue biro, with eight pages of handwritten score in pencil
  7. Book 16, ring bound in blue card covers with Romeo and Juliet Act I and Act III and a list of the dances, and Checked 1970 at top left of cover, with 12 pages of handwritten score in pencil

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