File 12 - Romeo and Juliet

Identity area

Reference code

RAD/2/MAC/3/3/12

Title

Romeo and Juliet

Date(s)

  • 1976-1995, undated (Creation)

Level of description

File

Extent and medium

Three sheets of lined paper, one photocopy of a fax, photocopies of three typed pages and of one stage plan

Context area

Name of creator

(1929-12-11 - 1992-10-29)

Biographical history

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

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Kenneth MacMillan created the three-act ballet Romeo and Juliet for The Royal Ballet which premiered on 9.2.1965 at the Royal Opera House, London. The ballet continues to be performed regularly by The Royal Ballet and is also in the repertory of ballet companies around the world. There are five files relating to the Benesh Movement Notation score mostly the rough score recorded by Faith Worth with some later material recorded by Tom Steuart.. This file contains

  1. Three pages of lined paper with a handwritten list of the action of the ballet by Act and Scene, in blue biro
  2. One photocopy of a fax giving a list of the extras for Romeo and Juliet, Teatro Alla Scala, Milan, 17.5.1995
  3. Photocopies of three pages of a typed Rudimentary Prop List, with As of 12/13/84 handwritten on top of first page, with pencil annotations by Monica Parker, the list dated 13.5.1975
  4. Photocopy of a stage plan with placings for props, Act I, scene 1, January 1976, The Royal Ballet

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