Zona de identificação
Código de referência
Título
Data(s)
- 1985 (Produção)
Nível de descrição
Dimensão e suporte
One programme, two pages of handwritten notes, two typed pages, photocopies of three pages of correspondence with envelope
Zona do contexto
Nome do produtor
História biográfica
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
Entidade detentora
História do arquivo
Fonte imediata de aquisição ou transferência
Zona do conteúdo e estrutura
Âmbito e conteúdo
Kenneth MacMillan created the ballet **Requiem to Andrew Lloyd Webber's music for American Ballet Theatre which received its premiere on 7 Feb 1986 in Chicago, USA. Webber's score had first been performed in concert in 1985. The material comprises:
- One programme for a concert performance at The Palace Theatre, London, in 1985, with annotations by Kenneth MacMillan in pencil and red felt tip pen (large)
- One page of handwritten notes by Kenneth MacMillan giving the movements and the dancers. On American Ballet Theatre headed notepaper. In pencil, undated
- One page of handwritten notes by Kenneth MacMillan giving the inspiration behind the ballet. In blue biro and red felt tip pen. Undated
- Two typed lists of dancers names, First Draft 6 Nov 1985, Second Draft for Costume Fittings 9 Nov 1985
- Three photocopied pages of a letter to Yolanda Sonnabend from Gary Dunning, General Manager, American Ballet Theatre, discussing arrangements and timings for the designs and their implementation, 18 Jun 1985, with envelope
Avaliação, seleção e eliminação
Incorporações
Sistema de arranjo
Zona de condições de acesso e utilização
Condições de acesso
Condiçoes de reprodução
Idioma do material
Script do material
Notas ao idioma e script
Características físicas e requisitos técnicos
Instrumentos de descrição
Zona de documentação associada
Existência e localização de originais
Programme for The Palace Theatre stored in Box 51
Existência e localização de cópias
Unidades de descrição relacionadas
Zona das notas
Nota
The handwritten notes and programme pages with notes by Kenneth MacMillan would be interesting to digitise
The programme is stored open at the page with Kenneth MacMillan's handwriting, in large box no.
Identificador(es) alternativo(s)
Pontos de acesso
Pontos de acesso - Assuntos
Pontos de acesso - Locais
Pontos de acesso - Nomes
- MacMillan, Kenneth (Assunto)
- Webber, Andrew Lloyd (Assunto)