Dossier 4 - MacMillan 'Privet'

Zone d'identification

Cote

RAD/2/MAC/7/12/4

Titre

MacMillan 'Privet'

Date(s)

  • 1966-1969 (Création/Production)

Niveau de description

Dossier

Étendue matérielle et support

One file of correspondence containing a cardboard binder and 60 typed letters, printed forms and official documents, and handwritten financial details

Zone du contexte

Nom du producteur

(1929-12-11 - 1992-10-29)

Notice biographique

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

Nom du producteur

Notice biographique

Histoire archivistique

Source immédiate d'acquisition ou de transfert

Zone du contenu et de la structure

Portée et contenu

This file of correspondence between Kenneth MacMillan and the Deutsche Oper Berlin covers his period as Ballet Director and relates to financial arrangements and payments, and his right to work. It includes his contract from 16 Aug 1967 to 15 Aug 1968, work permits and authorisations, pay slips, rehearsal fees for some dancers, telephone and other charges, and correspondence with a removal company about his possessions

Appraisal, destruction and scheduling

Accruals

System of arrangement

This material was originally contained in a green card ring binder titled MacMillan - Privet. This binder and the order of correspondence has been retained but the metal binding has been removed

Zone des conditions d'accès et d'utilisation

Conditions d'accès

Conditions governing reproduction

Language of material

    Script of material

      Language and script notes

      Caractéristiques matérielle et contraintes techniques

      Finding aids

      Zone des sources complémentaires

      Existence and location of originals

      Existence and location of copies

      Related units of description

      Descriptions associées

      Zone des notes

      Identifiant(s) alternatif(s)

      Mots-clés

      Mots-clés - Sujets

      Mots-clés - Lieux

      Mots-clés - Noms

      Mots-clés - Genre

      Zone du contrôle de la description

      Identifiant de la description

      Identifiant du service d'archives

      Rules and/or conventions used

      Statut

      Niveau de détail

      Dates of creation revision deletion

      Langue(s)

      • anglais

      • allemand

      Écriture(s)

        Sources

        Accession area