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- 1954-1957 (Produção)
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One 28 page photograph album containing 20 pages of press cuttings, programmes, flyers and correspondence
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História biográfica
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
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This album contains a one-page typed scenario for Le Baiser de la fee, programmes for Danses concertantes and House of Birds at Sadler's Wells Theatre in 1955, the first night of Noctambules at the Royal Opera House, Covent Garden, in 1954, American Ballet Theatre in Winter's Eve at the Teatro Nacional de San Carlo, Lisbon, in 1957 and in Journey at the Phoenix Theatre in 1957. There is an invitation to the American premiere of Winter's Eve at the Metropolitan Opera House, New York, in 1957, and two flyers for Sadler's Wells Theatre, London and the Gaumont Theatre, Southampton in 1955. Correspondence comprises two letters from Kenneth Clark, one handwritten to Kenneth MacMillan enclosing a copy of a typed letter to the Observer newspaper, complaining about Richard Buckle's review of House of Birds, a typed letter from Norman Tucker, Director of Sadler's Wells Theatre commissioning a new work from MacMillan 2 Sep 1954, an autograph letter from Margot Fonteyn on Panamanian Embassy, London headed notepaper, sending her and Tito's congratulations on House of Birds 17 July, and a typed letter on Royal Opera House headed notepaper, praising his ballet, 'Madame was very pleased with the whole evening', from Jane [?], n.d.
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- MacMillan, Kenneth (Assunto)