Objekt 11 - Post-Industrial Music

Identitet

Referenskod

RAD/2/MAC/3/4/2/11

Titel

Post-Industrial Music

Datum

  • 1983-1984 (Skapande)

Beskrivningsnivå

Objekt

Omfång och medium

One page handwritten letter, 38 pages of photocopied music manuscript and one audio cassette

Sammanhang

Arkivbildare

(1929-12-11 - 1992-10-29)

Biografiska anmärkningar

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

Arkivbildare

Biografiska anmärkningar

Arkivinstitution

Arkivhistorik

Förvärvsinformation

Innehåll och struktur

Omfattning och innehåll

One handwritten letter from Patrick Morris to Kenneth MacMillan enclosing his recent composition Post-Industrial Music and asking if he would be interested in using it. With 38 pages of photocopies of his autograph manuscript, dated 1983 and 1984, and an audio cassette recording. The cassette is attached to a sheet of paper with sellotape

Bevarande- och gallringsvärdering och schemaläggning

Periodiseringar

Uppordningssystem

Villkor för tillgång och användning

Villkor för åtkomst

Villkor för reproduktion

Materialspråk

    Materialskript

      Språk och skriptananmärkningar

      Fysiska egenskaper och tekniska krav

      Sökhjälpsmedel

      Besläktat material

      Existens och placering av original

      Existensen och placering av kopior

      Relaterade beskrivningsenheter

      Relaterade arkivbeskrivningar

      Anmärkningar

      Alternativt/alternativa signum

      Sökingångar

      Sökingångar på ämne

      Sökingångar på plats

      Sökingångar på namn

      Sökingångar för handlingstyp

      Förteckningskontroll

      Beskrivningssignum

      Institutionssignum

      Regler och/eller standarder som används

      Status

      Detaljnivå för beskrivning

      Datum för tillkomst revision borttagande

      Språk

        Skript

          Källor

          Accession