Item 11 - Post-Industrial Music

Identity area

Murojaat kodi

RAD/2/MAC/3/4/2/11

Sarlavha

Post-Industrial Music

Sanalar

  • 1983-1984 (Yaratish)

Tavsif darajasi

Item

Hajm va tashuvchi

One page handwritten letter, 38 pages of photocopied music manuscript and one audio cassette

Kontekst soha

Yaratuvchi nomi

(1929-12-11 - 1992-10-29)

Biografik tarixi

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

Yaratuvchi nomi

Biografik tarixi

Arxiv muassasasi

Arxiv tarixi

Immediate source of acquisition or transfer

Content and structure area

Qamrov va mazmun

One handwritten letter from Patrick Morris to Kenneth MacMillan enclosing his recent composition Post-Industrial Music and asking if he would be interested in using it. With 38 pages of photocopies of his autograph manuscript, dated 1983 and 1984, and an audio cassette recording. The cassette is attached to a sheet of paper with sellotape

Baholash, o`chirish va rejalashtirish

Kelib tushgan hujjatlar

Kelishuv tizimi

Conditions of access and use area

Conditions governing access

Conditions governing reproduction

Language of material

    Hujjat grafikasi

      Language and script notes

      Fizik xususiyatlar va texnik talablar.

      Finding aids

      Aloqador materiallar sohasi

      Existence and location of originals

      Existence and location of copies

      Aloqador tavsif birliklari

      Aloqador tavsiflari

      Izohlar sohasi

      Alternativ identifikator(lar)

      Foydalanish nuqtalari

      Mavzular

      Joylar

      Nomlar

      Turlari

      Description control area

      Description identifier

      Institution identifier

      Qo`llanilgan qoidalar va/yoki kelishuvlar

      Status

      Level of detail

      Dates of creation revision deletion

      Language(s)

        Alifbo (belgilar)

          Manbalar

          Ro`yxatga olish sohasi