Zone d'identification
Cote
Titre
Date(s)
- 1965-1992, n.d. (Création/Production)
Niveau de description
Étendue matérielle et support
One telegram, three handwritten and 26 typed letters, two envelopes, one printed leaflet, one printed folder with typed inserts, one page of photocopy, one typed memo, six faxes, 13 typed agreements
Zone du contexte
Nom du producteur
Notice biographique
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
Nom du producteur
Histoire administrative
Histoire archivistique
Source immédiate d'acquisition ou de transfert
Zone du contenu et de la structure
Portée et contenu
The material in this file contains correspondence and agreements relating to works by Kenneth MacMillan performed by the National Ballet of Canada. It includes
- A handwritten letter from Celia Franca relating to Solitaire, 20 May 1965
- Correspondence and agreements for Song of the Earth, 1977-1988
- Correspondence and agreements for Elite Syncopations, 1978-1992
- Correspondence and agreements for Gloria, 1989
- An agreement for Concerto, 1987
- Two handwritten letters from Alexander Grant
- One fax from Reid Anderson re Karen Kain in Song of the Earth, 31 Jan 1991
Appraisal, destruction and scheduling
Accruals
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Zone des conditions d'accès et d'utilisation
Conditions d'accès
Conditions governing reproduction
Language of material
Script of material
Language and script notes
Caractéristiques matérielle et contraintes techniques
Finding aids
Zone des sources complémentaires
Existence and location of originals
Existence and location of copies
Related units of description
Zone des notes
Identifiant(s) alternatif(s)
Mots-clés
Mots-clés - Lieux
Mots-clés - Noms
- MacMillan, Kenneth (Sujet)
- Grant, Alexander (Sujet)
- Anderson, Reid (Sujet)
- Franca, Celia (Sujet)
- The National Ballet of Canada (Sujet)
- Worth, Faith (Sujet)
Mots-clés - Genre
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Identifiant de la description
Identifiant du service d'archives
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Niveau de détail
Dates of creation revision deletion
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Archivist's note
The faxes have been copied onto acid free paper and the originals disposed of