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44 pages of Benesh Movement Notation score and one lined page of handwritten notes
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Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
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Âmbito e conteúdo
Kenneth MacMillan created the three-act ballet Manon for The Royal Ballet which premiered on 7.3.1974 at the Royal Opera House. The ballet was recorded in Benesh Movement Notation by Monica Parker and there are four files of the score in the Kenneth MacMillan Archive Collection. This file contains Act I of Monica Parker's working score and comprises
- Two pages titled Manon Act I scene 1, with a list of music and dancers' names and a list of characters, in pencil
- One lined page with notes for the music for Act I scene 1 in biro, with corrections in pencil
- 42 pages of notation, in pencil with some notes in red biro
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Pontos de acesso - Assuntos
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Pontos de acesso - Nomes
- MacMillan, Kenneth (Assunto)
- Parker, Monica (Assunto)