Deel 2 - Lynn Seymour Correspondence

Identificatie

referentie code

RAD/2/MAC/6/1/12/2

Titel

Lynn Seymour Correspondence

Datum(s)

  • 1978, undated (Vervaardig)

Beschrijvingsniveau

Deel

Omvang en medium

One typed and two handwritten letters, two envelopes, one colour postcard and one compliments slip with handwritten note

Context

Naam van de archiefvormer

(1929-12-11 - 1992-10-29)

Biografie

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

Naam van de archiefvormer

Biografie

Naam van de archiefvormer

Biografie

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The material in this file comprises

  1. Letter from Lynn Seymour to Kenneth MacMillan apologising for leaving for New York where she has the opportunity to work with Stanley Williams. She looks forward to coming back in full form to work on his 'divine 'ballet'. Undated but presumably written while with MacMillan and the Deutsche Opera Ballet in Berlin
  2. Typed letter on Intendanz der Bayerischen Staatsoper headed note paper from Lynn, as Director of the Ballet Company in Munich, to Kenneth, about the possibility of mounting his Anastasia in 1979, 1 Dec 1978
  3. One page handwritten letter sending write ups (not included) and reporting their triumph but unclear where and with what company, undated
  4. Colour postcard of the interior of the Cuvillies Theatre, Munich from Lynn to Kenneth hoping that he will create something for the ballet company, undated
  5. Compliments slip from Dominic Photography with handwritten note from Zoe Dominic to Lynn, explaining that this was the picture that was in the Sunday Times that won the hear of the Art Editor, photo not included, undated

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