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Date(s)
- 1978-1992 (Création/Production)
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Étendue matérielle et support
One printed invitation, two handwritten and 15 typed letters, one photocopy, one handwritten and one typed note, two faxes, one compliments slip and two envelopes
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Notice biographique
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
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London Weekend Television's the South Bank Show recorded a documentary of the making of Mayerling in 1978. The material in this file includes an invitation to a private supper hosted by LWT in the Crush Bar at the Royal Opera House after a performance of Mayerling, 13 Mar 1978, correspondence from Melvyn Bragg about Mayerling, it being the official entry for the Prix Italia, the possibility of working together on an Isadora project, 1979, of MacMillan creating a piece for television for Jane Torvill and Christopher Dean, ice dancers, 1984, from Michael Grade, Director of Programmes, re Mayerling, 1978, and Stephen Sondheim's Sweeney Todd, 1980, from Rosie Alison, Associate Producer, re using some excerpts from MacMillan ballets for documentaries, 1992, and from Greg Dyke, Group Chief Executive, a proposed agreement for sales to overseas broadcasters, 1992
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Mots-clés - Sujets
Mots-clés - Lieux
Mots-clés - Noms
- MacMillan, Kenneth (Sujet)
- London Weekend Television (Sujet)
- Bragg, Melvyn (Sujet)
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Archivist's note
The faxes have been scanned and are stored here: https://royalacademydance.sharepoint.com/:f:/s/Files-LibraryAndArchive/EnH3PPleXTNHvYnHPhR01BsBjXZUYhB584yIpweZphUm9w?e=Nazd0s