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              3 Descrição arquivística resultados para London

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              Photograph of Phyllis Bedells in Gavotte, London, 1926
              RAD/2/BED/6/26 · Item · 1926
              Parte de Personal Archive Collections

              Full length studio portrait in costume. Bedells is standing with her feet in fifth position on pointe, both arms are extended to the sides with both hands holding either ends of her dress. The name of the photographer is printed on the bottom right corner of the image. The name of the production, date and location is handwritten on the reverse.

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              Photograph of Phyllis Bedells in Gavotte, London, 1926
              RAD/2/BED/6/27 · Item · 1926
              Parte de Personal Archive Collections

              Full length studio portrait in costume. Bedells is standing on her right leg on pointe with the left leg extended in a low arabesque derriere. Her left arm is gesturing towards a bird on the top left corner. The name of the photographer is printed on the bottom right corner of the image. The name of the production, date and location is handwritten on the reverse.

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              Le Baiser de la fee, 1960
              RAD/2/MAC/3/1/5 · Documento · 1960, undated
              Parte de Personal Archive Collections

              Kenneth MacMillan created the one-act ballet Le Baiser de la fee for The Royal Ballet which premiered on 12 Apr 1960 at the Royal Opera House, Covent Garden. The material comprises:

              1. A handwritten letter from Ninette de Valois with some suggestions for improvements, particularly to the Svetlana Beriosova role as the fairy. Undated
              2. Telegram from Leo Lerman in New York to Kenneth MacMillan at the King's Theatre, Glasgow. 'Baiser Marvelous as Ever', 29 Sep 1960
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