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Date(s)
- 1960 (Creation)
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One hardbound printed music score, iii + 66 pages + endpapers, size 31.4 cm x 23.7 x .9
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Biographical history
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
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Piano reduction of the revised 1950 version of the score by Igor Stravinsky for Le Baiser de la fee, published by Boosey and Hawkes, New Edition copyright 1954, New York, USA, B & H 17561, and stamped Property of the Royal Opera House, Covent Garden Ltd. The score is bound in red buckram and embossed on front cover with The Fairy's Kiss, Strawinsky (sic) in gold coloured lettering
There are pencil markings on pages 50-60, the Adagio (Le Jeune Homme et sa Fiancee), giving the counts/beats and some cues for Lyn (sic) (Seymour) and others
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Note
Le Baiser de la fee was composed by Igor Stravinsky in 1928 and revised in 1950. This later version was used by Kenneth MacMillan for his ballet in 1960. The copyright in 1928 was held by Edition Russe de Musique and assigned to Boosey & Hawkes, Inc., New York in 1947. The New Edition copyright dates from 1954 by Boosey & Hawkes, Inc., New York
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- MacMillan, Kenneth (Subject)
- Stravinsky, Igor (Subject)