Collection RAD/2/MAC - Kenneth MacMillan Archive Collection

Original Document numérique not accessible

Zone d'identification

Cote

RAD/2/MAC

Titre

Kenneth MacMillan Archive Collection

Date(s)

  • c.1880-2019 (Création/Production)

Niveau de description

Collection

Étendue matérielle et support

134 boxes

Zone du contexte

Nom du producteur

(1929-12-11 - 1992-10-29)

Notice biographique

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

Nom du producteur

(1944-07-01 -)

Notice biographique

Born in Queensland, Australia, Deborah Williams was educated in Sydney, won a scholarship to and studied painting and sculpture at the National School of Art. She moved to London in 1970, where she married Kenneth MacMillan. She has designed ballets for the stage and television and returned to painting full-time in 1984. She was a member of the Board of the Royal Opera House (1993-94) and was Chairman of The Friends of Covent Garden (1995-96). Between 1996 and 1998 she was a member of the Arts Council of England and Chair of the dance panel. She has been a member of Kenneth MacMillan and Partner LLP since 2011 and is custodian of her late husband's work.

Histoire archivistique

The Archive was accumulated in the family home of Kenneth and Deborah MacMillan. Some material was sorted by Jann Parry, dance critic and author, when researching her authorised biography of Kenneth MacMillan commissioned by Deborah MacMillan to commemorate the 20th anniversary of his death. In 2016 Francesca Franchi, former Head of Collections at the Royal Opera House, was engaged by Deborah MacMillan to organise the Archive. As there had been no consistent structure to the Archive, one was created that reflected subject matter and/or material type. The Archive was donated to the Royal Academy of Dance in 2024.

Source immédiate d'acquisition ou de transfert

Donated by Deborah MacMillan, 2024.

Zone du contenu et de la structure

Portée et contenu

The Archive covers the life and career of Kenneth MacMillan. The earliest material relates to his family, subsequent material covers his time as a student and dancer, and his career as choreographer and artistic director in the UK and abroad. There is research material, choreographic notes, production files, photographs and designs relating to his ballets as well as a significant amount of correspondence with dancers and companies around the world. Administrative records include files from his agents containing contracts and correspondence. Following his death, there are details of his funeral and Thanksgiving Service and letters of condolence. Events and conferences addressing his career and legacy are also in the archive. There are collections of programmes, periodicals and press cuttings, as well as some books and other publications.

Appraisal, destruction and scheduling

Accruals

System of arrangement

Zone des conditions d'accès et d'utilisation

Conditions d'accès

Conditions governing reproduction

Copyright in correspondence, photographs, designs, autograph and published material remains the ownership of the individual authors.

Language of material

  • anglais

  • français

  • allemand

Script of material

    Language and script notes

    Caractéristiques matérielle et contraintes techniques

    Finding aids

    A box list with file titles was prepared prior to deposit.

    Zone des sources complémentaires

    Existence and location of originals

    Existence and location of copies

    Related units of description

    Descriptions associées

    Zone des notes

    Identifiant(s) alternatif(s)

    Mots-clés

    Mots-clés - Sujets

    Mots-clés - Lieux

    Mots-clés - Noms

    Mots-clés - Genre

    Zone du contrôle de la description

    Identifiant de la description

    Identifiant du service d'archives

    Rules and/or conventions used

    Statut

    Niveau de détail

    Dates of creation revision deletion

    Langue(s)

      Écriture(s)

        Sources

        Document numérique (Matrice) zone des droits

        Document numérique (Référence) zone des droits

        Document numérique (Vignette) zone des droits

        Accession area