File 4 - Invitations

Identity area

Reference code

RAD/2/MAC/6/3/4

Title

Invitations

Date(s)

  • 1975-1991, n.d. (Creation)

Level of description

File

Extent and medium

Two typed letters, one handwritten letter, three menus, three typed place card, two seating plans and guest lists, two programmes, one printed instructions, 46 printed invitations one with printed folder, printed plan, one telegram and seven envelopes

Context area

Name of creator

(1929-12-11 - 1992-10-29)

Biographical history

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

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Content and structure area

Scope and content

This file contains invitations to performances, private views and receptions. It includes invitations to the world premiere of Phantom of the Opera at Her Majesty's Theatre in the Haymarket, London, England, to exhibitions of theatre designs by Nicholas Georgiadis and Yolanda Sonnabend, and art exhibitions of work by Deborah MacMillan and Maggi Hambling. There are invitations to receptions including the Annual Dinner of the Royal Academy of Arts, at the Edinburgh Festival, at Buckingham Palace and Windsor Castle, at Mansion House in the City of London, the opening of the National Theatre, an evening at the National Gallery Sainsbury Wing, and for the wedding of HRH the Prince of Wales and Lady Diana Spencer in 1981

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      Notes area

      Note

      Some of these invitations would be interesting to digitise

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