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Archival description
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RAD/2/BED/5/1/48 · Item · 1976
Part of Personal Archive Collections

3 typed letters from the New York Public Library on headed paper: the first requesting Bedell's participation on the project, dated July 2, 1976; the second explaining that Dale Harris and David Vaughan would be in England and able to conduct the interview that summer, dated August 10, 1976); the third is thanking Bedells for her participation and explaining the follow-up process, dated October29, 1976. 1 handwritten letter form Phyllis Bedells, dated 18th July, 1976 agreeing to particpate in the project is satisfactory arrangements can be made.

Costume designs and details
RAD/2/MAC/3/1/33/7 · File
Part of Personal Archive Collections

There are four handwritten lists, one original and three photocopies, giving details of the characters and the numbers of costumes required. There are 11 pages of colour copies of costume designs, several to a page. The material is stored in a cardboard folder which has some handwritten notes on one piece of cardboard (large)

MacMillan, Kenneth
Cry
RAD/2/MAC/3/4/2/18 · Item · 1978-1979, undated
Part of Personal Archive Collections
  1. Two pages of typed information from Novello & Company, London, giving a brief biography of Giles Swayne and a list of works available from Novello, undated
  2. One printed page giving details of Cry, the voices and the movements, undated
  3. One handwritten postcard from Tanya Bruce-Lockhart to Kenneth MacMillan enclosing a cassette and asking for his advice
  4. One audio cassette recording of Cry with handwritten label Stereo Copy: Novello for Private Listening Only, undated
MacMillan, Kenneth
Cuttings 1982-1989
RAD/2/MAC/12/1/2/2 · Part · 1982-1989, n.d.
Part of Personal Archive Collections

One file of interviews with and articles about Kenneth MacMillan, one about directing Dance of Death. The file includes seven large cuttings

Dai Ailian Collection
RAD/3/DAI · Collection · 1939-2016
Part of Special Collections

The collection comprises original, personal letters from several luminaries in the ballet world including Anton Dolin, Margot Fonteyn Peggy van Praagh and Anthony Tudor. Mostly dating from the 1980s, the correspondence also includes some photocopies of letters relating to work issues from company directors. Photographs taken during Dai Ailian's visits to the RAD in 1981 and 1993 are incorporated into the collection along with a small number of colour photos also donated by Daryl Ries.

Royal Academy of Dance