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11 pages of notes by Kenneth MacMillan for ballets. Pages are taken from a filofax, from diaries and one uses a Company List for American Ballet Theatre. The pages contain rows of , numbers and descriptions of movements, some with names of dancers. In pencil, biro and felt pen
Two pages of notation score paper with handwritten notes, some in Kenneth MacMillan's hand, pencil and blue felt pen (large)
One envelope with lists of dancers' names for 3 movements on reverse, in pencil
One page photocopied from an encyclopedia with the entry for moon worship outlined in pink marker pen

One page from Complete Book of the Great Ballets giving the plot of The Miraculous Mandarin, with details of the first performance by New York City Ballet in 1951
One typed letter from Iris [Law} on Royal Opera House headed notepaper, enclosing a scenario that Sir Fred[erick Ashton] was forwarding, a play be Middleton, 18 Dec 1964, but scenario not included
One page from The Star newspaper, 26 Jun 1958. One side has the story of Pocahontoas - Princess Broken Heart, the other reviews for recent film releases including Ice Cold in Alex

Five pages of Very Preliminary Notes for Lost Boys/ or Lost Boy, by Andrew Birkin, author of J.M.Barrie and The Lost Boys, a BBC docudrama broadcast in 1978. The notes outline the possible action and characters, and end with Notes on the Notes

Kenneth MacMillan created a three-act version of Anastasia for The Royal Ballet which premiered on 22 Jul 1971 at the Royal Opera House, Covent Garden. The material comprises:

1. A copy of French's Acting Edition No.967, The Recognition Scene from Anastasia by Marcelle Maurette, English Adaptation by Guy Bolton
2. A typed letter from John E. Manahan to Vernon Clarke, Manager of The Royal Ballet, 1 Jul 1971. The letter states that his wife, Grand Duchess Anastasia of Russia, joins him in granting free and unrestricted use of her name to The Royal Ballet for the forthcoming production of Anastasia. On letter head of The Huguenot Society of the Founders of Manakin in the Colony of Virginia, USA
3. Telegram to Kenneth MacMillan from Ursula Moreton, with love and best wishes for the first night, 22 Jul 1971
4. Telegram to Kenneth MacMillan from Ninette de Valois, 'Dear Kenneth you know how much I would have a great ballet meet with recognition and success for its Choreographer My Love Madam', 22 Jul 1971
5. Postcard from John Osborne, congratulating MacMillan, 23 Jul 1971
6. Handwritten letter from HRH Princess Margaret, congratulating Dear Kenneth on a really wonderful ballet and hoping he took absolutely no notice of the foully aggressive piece in The Times. On Kensington Palace headed notepaper with hand addressed envelope, 27 Jul 1971
7. Carbon copy of an interview by Rodney Milnes, titled Anastasia, discussing with Kenneth MacMillan the adverse press reaction to the ballet, the complexities of the narrative and cuts that MacMillan proposes to make. (Later published in Harpers & Queen, October 1971).
8. Press cutting of a Tabriz carpet of c. 1914 depicting Tsar Nicholas II, together with the Tsarina Alexander and the Tsarevich, Alexis. From Michael [Oliver] to Kenneth, 15 May 1980

Kenneth MacMillan created the one-act ballet Le Baiser de la fee for The Royal Ballet which premiered on 12 Apr 1960 at the Royal Opera House, Covent Garden. The material comprises:

1. A handwritten letter from Ninette de Valois with some suggestions for improvements, particularly to the Svetlana Beriosova role as the fairy. Undated
2. Telegram from Leo Lerman in New York to Kenneth MacMillan at the King's Theatre, Glasgow. 'Baiser Marvelous as Ever', 29 Sep 1960

Kenneth MacMillan created a new version of his 1960 ballet Le Baiser de la fee for The Royal Ballet which premiered on 8 May 1986 at the Royal Opera House, Covent Garden. The material comprises:

1. Cast list handwritten by Kenneth MacMillan in blue felt pen, giving names of roles with dancers, some alternative names added in pencil. Also gives the number of costumes for each role
2. Typed list of dancers in the 1985/86 Season at The Royal Ballet, listed under Principals, Soloists, Coryphees and Artists, with pencil markings by Kenneth MacMillan
3. Typed cast list for Baiser de la fee with alternative casts
4. Handwritten letter from Norman Morrice, Artistic Director of The Royal Ballet, to Kenneth MacMillan, wishing him 'everything good for tonight's programme and special success for the new Baiser!' 8 May 1986
5. Handwritten good luck letter from Anthony Russell Roberts, Administrative Director of The Royal Ballet, praising his 'very imaginative choice of designer', 8 May 1986
6. Good luck telegram from Misha [Mikhail Baryshnikov] and Charles [Dillingham], New York, 7 May 1986
7. Good luck telegram from Charles Dillingham, New York, 7 May 1986, 'Best Wishes From All of Us for a Great Opening Night. Come Home Soon.'
8. Double page spread from the programme for the first performance of this version by The Royal Ballet at the Royal Opera House of Le Baiser de la fee, on a triple bill of MacMillan ballets. Includes quotations from works by G.K.Chesterton on Fairy Tales
9. Page torn from the programme with notes by Nicholas Dromgoole on Le Baiser de la fee, hit or myth? On the reverse are programme notes by Clement Crisp on Anastasia and Concerto, the two other MacMillan works on the triple bill
10. Three colour and 12 black and white copies of costume designs with the character and dancers' names
11. Three pages each with two polaroid photographs of the Model Set and handwritten details and instructions
12. One page with two colour schemes attached, with handwritten notes

Kenneth MacMillan created the one act ballet The Burrow for The Royal Ballet Touring Company which premiered on 2 Jan 1958 at the Royal Opera House, Covent Garden. The ballet was restaged for Birmingham Royal Ballet and opened on 31 Oct 1991at the Birmingham Hippodrome. The material comprises:

1. Scenario and list of characters for The Burrow, handwritten by Kenneth MacMillan
2. Typed letter from Gilbert Vernon to Deborah MacMillan enclosing the above scenario. Vernon was a dancer with The Royal Ballet and was in the pas-de trois in MacMillan's first ballet for the Company, Danses Concertantes. He cannot remember where he got the the scenario but thought he should return it in case it should be of any use for a possible biography
3. Telegram from Bobbie (Robert Helpmann?), with wishes for a great success. 1 Jan 1958
4. Greetings card to Kenneth MacMillan signed by members of Birmingham Royal Ballet, wishing him good luck for the first night and thanking him for the opportunity of working with him again. Signatures include Desmond Kelly, Anita Landa and Marion Tait. 31 Oct 1991
5. Note on idc paper, a request for Kenneth MacMillan to call Peter Wright about the possibility of performing The Burrow as part of the '50th Anniversary of Ann (sic) Frank ', n.d.
6. Typed fax from Birmingham Royal Ballet with Provisional casting for The Burrow, 1991/92 season, 7 Nov 1991

Kenneth MacMillan created the one-act ballet Cain and Abel/Kain und Abel for the Deutshe Oper Ballet which premiered on 1 Nov 1968 at the Opera House, Berlin. The material comprises:

1. Typed letter from Miss R Ampenoff, Director of Boosey and Hawkes, Music Publishers, to Kenneth MacMillan at the Deutsche Oper, Berlin, confirming that the full score and orchestral material of Sinfonia Sacra will be ready to send to Germany. The composer, Andrzej Panufnik, has asked for further details of the ballet. 17 Sep 1968
2. Typed letter from David S Adams, Managing Director of Boosey and Hawkes, congratulating Kenneth MacMillan on 'the excellent choreographed treatment of Panufnik's works'. 4 Nov 1968
3. Typed letter from R.Ampenoff at Boosey and Hawked, congratulating Kenneth MacMillan on the great success of his new ballet.
4. Handwritten letter from Andrzej Panufnik to Kenneth MacMillan confirming how much he enjoyed the ballet, even though MacMillan's conception of his score is so different to his. He is delighted that MacMillan would like to work with him on something new, 5 Nov 1968
5. Handwritten letter from Camilla Panufnik to Kenneth MacMillan, looking forward to hearing news of Kain & Abel. Describing how busy her husband, Andrzej, is and how he looks forward to working with MacMillan again, 19 Dec 1968, with envelope

Kenneth MacMillan was working on the choreography for the Royal National Theatre production of Carousel in October 1992 when he died unexpectedly, a month before the production was due to open. With the agreement of his widow, the RNT continued with the production which premiered in the Lyttelton Theatre on 10 Dec 1992. There are five files of material containing libretto and rehearsal script, hand-written notes by Kenneth MacMillan, correspondence, programmes, tickets and invitations for performances at the Royal National Theatre and further productions in London, New York and Japan. There is one original pen and ink and watercolour painting of the pas de deux, signed and dated 19 Oct 1994