File 1 - Houston Ballet Correspondence

Identity area

Reference code

RAD/2/MAC/7/14/1

Title

Houston Ballet Correspondence

Date(s)

  • 1985-1992, n.d. (Creation)

Level of description

File

Extent and medium

One handwritten and 19 typed letters, one envelope, one typed list with handwritten additions, six contract letters of agreement, five typed and three handwritten faxes, one typed note, two handwritten notes, one printed booking form and one handwritten greetings card

Context area

Name of creator

(1929-12-11 - 1992-10-29)

Biographical history

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

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Kenneth MacMillan became Artistic Associate of Houston Ballet in August 1989, the Company having previously performed Song of the Earth in 1987. They performed Gloria in 1989, Elite Syncopations in 1990 and Solitaire in 1991. The correspondence in this file is largely concerned with agreements and arrangements for these ballets and for MacMillan's role as Artistic Associate. It includes a letter of agreement for Manon which was ultimately not performed until 1993, the year after MacMillan's death. It also includes handwritten cast lists for Song of the Earth and Elite Syncopations

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