Área de identidad
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Título
Fecha(s)
- 1961 - 1971 (Creación)
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Volumen y soporte
93 copied pages of a choreographic score including front and back covers, an additional two pages with handwritten notes and three empty pages
Área de contexto
Nombre del productor
Historia biográfica
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
Nombre del productor
Historia biográfica
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Historia archivística
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Área de contenido y estructura
Alcance y contenido
Kenneth MacMillan created the one-act ballet Diversions for The Royal Ballet which premiered on 15.9.1961 at the Royal Opera House, London. This file contains the Benesh Movement Notation Score recorded by Faith Worth in 1961. It comprises 91 pages of score, the pages numbered 1 - 182, with front cover giving production details and copyrights, and back cover with notes in pencil which are very faded. There are two pages of score containing handwritten notes in black biro and four empty pages. The full score has annotations in pencil, dated 1968, and blue biro dated 1971.
Valorización, destrucción y programación
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Área de notas
Notas
This appears to be the Master Copy from which the Benesh Movement Notation score in the RAD Library has been copied. The RAD copy does not show the annotations from 1967 and 1971 and does not contain the two pages of handwritten notes
Identificador/es alternativo(os)
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Puntos de acceso por autoridad
- MacMillan, Kenneth (Materia)
- Worth, Faith (Materia)