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Date(s)
- 1987-1991 (Creation)
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One postcard, four typed and four handwritten letters, one compliments slip, two typed pages, one printed programme and two photocopies of press cuttings
Context area
Name of creator
Biographical history
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
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Dance Advance was formed by six ex-dancers from The Royal Ballet. The Company commissioned a new work from Kenneth MacMillan for their inaugural season in March 1988 and he created Sea of Troubles for them, a distillation of William Shakespeare's Hamlet. The correspondence in this file includes handwritten letters from Susie Crow, one of the Artistic Directors and dancers, to Deborah MacMillan about performances in the Isle of Wight and in Spain, to Kenneth MacMillan explaining why the Company had to cease existence, from Anglia television about including the ballet in the Folio series, a programme from the Festival de Otono, Spain, and some background information to the ballet.
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- MacMillan, Kenneth (Subject)
- Crow, Susan (Subject)
- Dance Advance (Subject)
- MacMillan, Deborah (Subject)