Partie 4 - Correspondence with Gordon McVay

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Cote

RAD/2/MAC/3/1/19/4

Titre

Correspondence with Gordon McVay

Date(s)

  • 1980-1981 (Création/Production)

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Étendue matérielle et support

11 handwritten and one typed letters, one photocopy of a press-cutting, and five envelopes

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(1929-12-11 - 1992-10-29)

Notice biographique

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

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Gordon McVay published a book on Isadora and Esenin in 1980 which included previously unseen photographs. The correspondence concerns this, the use of quotations from the book in Kenneth MacMillan's Isadora, and the offer of tickets for the first night performance at the Royal Opera House. The letters comprise

  1. Handwritten letter from Gordon McVay to Kenneth MacMillan informing him of his forthcoming book Isadora and Esenin and offering Kenneth MacMillan an advance copy. One page, 18 Apr 1980
  2. Three handwritten letters from Kenneth MacMillan to Gordon McVay, all versions thanking Gordon McVay for the offer of a copy of his book which he will be delighted to receive, but explaining that it will be too late to include any new information in the ballet.
  3. Handwritten letter from Gordon McVay, delighted to send Kenneth MacMillan a copy of his book. He describes corresponding with some of Isadora's Moscow pupils and a graphic description of Isadora's movements and gestures in the Marche Slave which he offers to sent to Kenneth MacMillan. One page, 15 May 1980

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