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Data(s)
- 1967, n.d. (Produção)
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Three handwritten letters and one envelope
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História biográfica
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
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História biográfica
Nicholas Georgiadis was a Greek painter, stage and costume designer, best know for his work in ballet, particularly in collaboration with Kenneth MacMillan. He studied architecture in Greece, graduating in 1946, winning a Fulbright Postgraduate Scholarship to Columbia University, New York in 1952. In 1953 Georgiadis came to London to study Painting and Stage Design at the Slade School of Fine Art, winning the school's First Prize for Stage Design in 1955. This led to a commission from Ninette de Valois and his first collaboration with Kenneth MacMillan, on Noctambules in 1956. Although primarily known as a designer for ballet, Georgiadis also worked in opera and drama and a number of film projects. He was also an accomplished painter.
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The Deutsche Oper Berlin performed Kenneth MacMillan's one-act ballet Las Hermanas in 1968 using the original designs by Nicholas Georgiadis. The letters in this file, two to Kenneth MacMillan and one to Gert [Reinholm] give details of Nicholas Georgiadis's fees and instructions for the set, props and costumes. The majority of the letter to Gert [Reinholm] appears to be written by someone else with just the closing sentence and signature by Nicholas Georgiadis. Georgiadis concludes one of the letters to MacMillan, 'And by the way try and be less rude on the phone'.
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- MacMillan, Kenneth (Assunto)
- Deutsche Oper Berlin (Assunto)
- Georgiadis, Nicholas (Assunto)
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These letters would be interesting to digitise