Dossier 9 - Correspondence 1968

Zone d'identification

Cote

RAD/2/MAC/7/12/9

Titre

Correspondence 1968

Date(s)

  • 1968 (Création/Production)

Niveau de description

Dossier

Étendue matérielle et support

Six handwritten letters, 14 typed letters, six envelopes, three postcards, one printed invitation and one telegram

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Nom du producteur

(1929-12-11 - 1992-10-29)

Notice biographique

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

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Notice biographique

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Portée et contenu

This file of correspondence contains letters to and from Kenneth MacMillan during his time as Ballet Director of the Deutsche Oper Berlin but is not primarily related to his work there. It includes letters from Ballet Directors of other Companies requesting works and some more personal correspondence. It includes letters from Frederick Ashton, Fleming Flindt, Erik Bruhn, Sona Arova, Vera Volkova, Nora Kaye, Peter Darrell, Joan Thring re MacMillan creating a ballet for Margot Fonteyn and Rudolf Nureyev and mentioning the RAD Gala for 1969, Margaret Dale, and an invitation to the memorial service for Aenne Pfusch-Schenck von Trapp. It includes letters from the Royal Danish Ballet, the Royal Swedish Ballet, Norwegian Ballet, the Varna International Ballet Competition, Great Yarmouth Music Club, the British Broadcasting Corporation, Joffrey Ballet, Ballet Nacional de Santiago, Chile, Teatro Colon Buenos Aires, Argentina, Queensland Ballet Company and Western Theatre Ballet

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