Zona de identificação
Código de referência
Título
Data(s)
- 1967 (Produção)
Nível de descrição
Dimensão e suporte
Four postcards, 13 typed letters, six telegrams, one handwritten draft telegram, five handwritten letters, two envelopes and two typed pages
Zona do contexto
Nome do produtor
História biográfica
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
Nome do produtor
História biográfica
Entidade detentora
História do arquivo
Fonte imediata de aquisição ou transferência
Zona do conteúdo e estrutura
Âmbito e conteúdo
This file of correspondence contains letters to and from Kenneth MacMillan during his time as Ballet Director of the Deutsche Oper Berlin but is not primarily related to his work there. It includes letters from Ballet Directors of other Companies requesting works and some more personal correspondence. It includes letters from Celia Franca at National Ballet of Canada, Gerd Larsen, Lucia Chase, Peter Darrell at Western Ballet Theatre, Erik Bruhn and Goran Gentele at Swedish Royal Ballet, Herman Hardenberg about Lynn Seymour, Mimi Paul, John Percival, Glen Tetley, Bronislava Nijinsky, Peter Wright, American Ballet Theatre, Jacobs Pillow, PACT Ballet, Capab Ballet and Ballet Nacional de Cuba
Avaliação, seleção e eliminação
Incorporações
Sistema de arranjo
Zona de condições de acesso e utilização
Condições de acesso
Condiçoes de reprodução
Idioma do material
Script do material
Notas ao idioma e script
Características físicas e requisitos técnicos
Instrumentos de descrição
Zona de documentação associada
Existência e localização de originais
Existência e localização de cópias
Unidades de descrição relacionadas
Zona das notas
Identificador(es) alternativo(s)
Pontos de acesso
Pontos de acesso - Assuntos
Pontos de acesso - Locais
Pontos de acesso - Nomes
- MacMillan, Kenneth (Assunto)
- Deutsche Oper Berlin (Assunto)
Pontos de acesso de género
Zona do controlo da descrição
Identificador da descrição
Identificador da instituição
Regras ou convenções utilizadas
Estatuto
Nível de detalhe
Datas de criação, revisão, eliminação
Línguas e escritas
Script(s)
Fontes
Nota do arquivista
Some of this correspondence would be interesting to digitise