Bestanddeel 6 - Correspondence 1967

Identificatie

referentie code

RAD/2/MAC/7/12/6

Titel

Correspondence 1967

Datum(s)

  • 1967 (Vervaardig)

Beschrijvingsniveau

Bestanddeel

Omvang en medium

Four postcards, 13 typed letters, six telegrams, one handwritten draft telegram, five handwritten letters, two envelopes and two typed pages

Context

Naam van de archiefvormer

(1929-12-11 - 1992-10-29)

Biografie

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

Naam van de archiefvormer

archiefbewaarplaats

Geschiedenis van het archief

Directe bron van verwerving of overbrenging

Inhoud en structuur

Bereik en inhoud

This file of correspondence contains letters to and from Kenneth MacMillan during his time as Ballet Director of the Deutsche Oper Berlin but is not primarily related to his work there. It includes letters from Ballet Directors of other Companies requesting works and some more personal correspondence. It includes letters from Celia Franca at National Ballet of Canada, Gerd Larsen, Lucia Chase, Peter Darrell at Western Ballet Theatre, Erik Bruhn and Goran Gentele at Swedish Royal Ballet, Herman Hardenberg about Lynn Seymour, Mimi Paul, John Percival, Glen Tetley, Bronislava Nijinsky, Peter Wright, American Ballet Theatre, Jacobs Pillow, PACT Ballet, Capab Ballet and Ballet Nacional de Cuba

Waardering, vernietiging en slectie

Aanvullingen

Ordeningstelsel

Voorwaarden voor toegang en gebruik

Voorwaarden voor raadpleging

Voorwaarden voor reproductie

Taal van het materiaal

    Schrift van het materiaal

      Taal en schrift aantekeningen

      Fysieke eigenschappen en technische eisen

      Toegangen

      Verwante materialen

      Bestaan en verblifplaats van originelen

      Bestaan en verblijfplaats van kopieën

      Related units of description

      Related descriptions

      Aantekeningen

      Alternative identifier(s)

      Trefwoorden

      Geografische trefwoorden

      Naam ontsluitingsterm

      Genre access points

      Beschrijvingsbeheer

      Identificatie van de beschrijving

      Identificatiecode van de instelling

      Toegepaste regels en/of conventies

      Status

      Niveau van detaillering

      Verwijdering van datering archiefvorming

      Taal (talen)

        Schrift(en)

          Bronnen

          Aantekeningen van de archivaris

          Some of this correspondence would be interesting to digitise

          Voorwaarden voor raadpleging en gebruik