Documento 1 - Correspondence Lucia Chase 1967-1978

Zona de identificação

Código de referência

RAD/2/MAC/7/2/1

Título

Correspondence Lucia Chase 1967-1978

Data(s)

  • 1967-1978, n.d. (Produção)

Nível de descrição

Documento

Dimensão e suporte

One printed leaflet, 10 handwritten letters, three with envelopes, three typed letters, one typed inter departmental communication with handwritten annotation, one typed page and one handwritten note

Zona do contexto

Nome do produtor

(1929-12-11 - 1992-10-29)

História biográfica

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

Nome do produtor

História biográfica

Entidade detentora

História do arquivo

Fonte imediata de aquisição ou transferência

Zona do conteúdo e estrutura

Âmbito e conteúdo

Lucia Chase, dancer, co-founder and co-director of American Ballet Theatre, first met Kenneth MacMillan at the Royal Opera House, London in 1956. She immediately commissioned a new work from him for ABT which premiered the following year. She also took several of his works into the Company's repertoire and wrote often requesting a new work for her Company. The material in this file covers the first performance of Concerto, mentions of Las Hermanas, which Lucia Chase danced in, Danses concertantes, Romeo and Juliet and the creation of Pavane pas de deux for Gelsey [Kirkland] and Ivan [Nagy], and two covering letters enclosing payments for performances of Pavane pas de deux, Danses concertantes and Concerto during the Spring Season, 1978. There is an interdepartmental communication from Kenneth MacMillan to John Tooley about letting ABT perform Pavanne (sic), 14 Nov 1977

Avaliação, seleção e eliminação

Incorporações

Sistema de arranjo

Zona de condições de acesso e utilização

Condições de acesso

Condiçoes de reprodução

Idioma do material

    Script do material

      Notas ao idioma e script

      Características físicas e requisitos técnicos

      Instrumentos de descrição

      Zona de documentação associada

      Existência e localização de originais

      Existência e localização de cópias

      Unidades de descrição relacionadas

      Descrições relacionadas

      Zona das notas

      Identificador(es) alternativo(s)

      Pontos de acesso

      Pontos de acesso - Locais

      Pontos de acesso - Nomes

      Pontos de acesso de género

      Zona do controlo da descrição

      Identificador da descrição

      Identificador da instituição

      Regras ou convenções utilizadas

      Estatuto

      Nível de detalhe

      Datas de criação, revisão, eliminação

      Línguas e escritas

        Script(s)

          Fontes

          Área de ingresso