Área de identidad
Código de referencia
Título
Fecha(s)
- 1966-1990 (Creación)
Nivel de descripción
Volumen y soporte
Two handwritten and 28 typed letters, four envelopes, one telegram, four contracts, one compliments slip, one handwritten and two typed faxes, one printed full colour brochure
Área de contexto
Nombre del productor
Historia biográfica
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
Nombre del productor
Historia biográfica
Born in Queensland, Australia, Deborah Williams was educated in Sydney, won a scholarship to and studied painting and sculpture at the National School of Art. She moved to London in 1970, where she married Kenneth MacMillan. She has designed ballets for the stage and television and returned to painting full-time in 1984. She was a member of the Board of the Royal Opera House (1993-94) and was Chairman of The Friends of Covent Garden (1995-96). Between 1996 and 1998 she was a member of the Arts Council of England and Chair of the dance panel. She has been a member of Kenneth MacMillan and Partner LLP since 2011 and is custodian of her late husband's work.
Nombre del productor
Historia administrativa
Institución archivística
Historia archivística
Origen del ingreso o transferencia
Área de contenido y estructura
Alcance y contenido
One telegram requesting urgent return of The Crimson Curtain book and a record to Margaret Dale's office, 4 Mar 1966.
Correspondence with the BBC discussing arrangements for filming and broadcasting some of Kenneth MacMillan's ballets, including Romeo and Juliet, Manon, Playground, Isadora, Elite Syncopations, Side Show and Winter Dreams pas de deux, the latter for the Queen Mother's 90th birthday tribute. There is correspondence discussing Kenneth MacMillan's possible involvement in two of a proposed series of four dance Workshops, the possibility of Kenneth MacMillan working on a television play for the BBC, and a fax from Dory Previn asking if there is any news on the BBC production, 13 May 1982
Music and Arts New Season 1984-85 colour brochure with details of Dancer four films celebrating the role of the male ballet dancer, presented by Peter Schaufuss, with photos of Schaufuss
Valorización, destrucción y programación
Acumulaciones
Sistema de arreglo
Área de condiciones de acceso y uso
Condiciones de acceso
Condiciones
Idioma del material
Escritura del material
Notas sobre las lenguas y escrituras
Características físicas y requisitos técnicos
Instrumentos de descripción
Área de materiales relacionados
Existencia y localización de originales
Existencia y localización de copias
The single fax in this file has been scanned and stored at: https://royalacademydance.sharepoint.com/:b:/s/Files-LibraryAndArchive/EVZwM-PnxhFKpx9-2f2MBTkBFyOAQLQX65cYSV4QNdgFtg?e=aUuV3E
Unidades de descripción relacionadas
Área de notas
Identificador/es alternativo(os)
Puntos de acceso
Puntos de acceso por materia
Puntos de acceso por lugar
Puntos de acceso por autoridad
- MacMillan, Kenneth (Materia)
- Burton, Humphrey (Materia)
- Lockyer, Bob (Materia)
- Nears, Colin (Materia)
- Matheson, Julia (Materia)
- British Broadcasting Corporation (Materia)
Tipo de puntos de acceso
Área de control de la descripción
Identificador de la descripción
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Reglas y/o convenciones usadas
Estado de elaboración
Nivel de detalle
Fechas de creación revisión eliminación
Idioma(s)
Escritura(s)
Fuentes
Nota del archivista
The original fax has been scanned as an A3 document to preserve all the information on the fax. The page is too large to be photocopied onto acid-free A4 paper without losing some details of the date and time of transmission