File 6 - CliffCorps

Identity area

Reference code

RAD/2/MAC/7/10/6

Title

CliffCorps

Date(s)

  • 1985 (Creation)

Level of description

File

Extent and medium

Two handwritten and one typed letter, one typed page

Context area

Name of creator

(1929-12-11 - 1992-10-29)

Biographical history

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

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Scope and content

In 1984 John Clifford, President of CliffCorps, organised an International Ballet Festival which included Wayne Eagling and Ravenna Tucker dancing a pas de deux from Kenneth MacMillan's Romeo and Juliet. This file includes correspondence from John Clifford to Kenneth MacMillan asking permission to include this pas de deux in a broadcast of the Festival on Public Television in the USA and possibly overseas, and his response to Kenneth MacMillan's refusal to this request. There is a typed page of potential format and content of the video performance.

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