Área de identidad
Código de referencia
Título
Fecha(s)
- 1988-1990 (Creación)
Nivel de descripción
Volumen y soporte
Three contracts, three typed letters, two handwritten letters, one handwritten fax, a printed booking leaflet and two press cuttings
Área de contexto
Nombre del productor
Historia biográfica
Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
Nombre del productor
Historia biográfica
Born in Queensland, Australia, Deborah Williams was educated in Sydney, won a scholarship to and studied painting and sculpture at the National School of Art. She moved to London in 1970, where she married Kenneth MacMillan. She has designed ballets for the stage and television and returned to painting full-time in 1984. She was a member of the Board of the Royal Opera House (1993-94) and was Chairman of The Friends of Covent Garden (1995-96). Between 1996 and 1998 she was a member of the Arts Council of England and Chair of the dance panel. She has been a member of Kenneth MacMillan and Partner LLP since 2011 and is custodian of her late husband's work.
Nombre del productor
Historia biográfica
Institución archivística
Historia archivística
Origen del ingreso o transferencia
Área de contenido y estructura
Alcance y contenido
Correspondence relating to contracts for Cincinnati Ballet to perform Kenneth MacMillan's ballet Concerto with copies of a draft contract and contracts to be signed. There is a letter from Ivan Nagy, Artistic Director of the Cincinnati Ballet, enclosing two press reviews for Concerto and a handwritten letter from Kenneth MacMillan to Ivan Nagy about the possibility of the Company performing Elite Syncopations, and a booking leaflet for the 1988-1989 season including the first performance of Concerto.
Valorización, destrucción y programación
Acumulaciones
Sistema de arreglo
Área de condiciones de acceso y uso
Condiciones de acceso
Condiciones
Idioma del material
Escritura del material
Notas sobre las lenguas y escrituras
Características físicas y requisitos técnicos
Instrumentos de descripción
Área de materiales relacionados
Existencia y localización de originales
Existencia y localización de copias
Unidades de descripción relacionadas
Área de notas
Identificador/es alternativo(os)
Puntos de acceso
Puntos de acceso por materia
Puntos de acceso por lugar
Puntos de acceso por autoridad
- MacMillan, Kenneth (Materia)
- Nagy, Ivan (Materia)
- Cincinnati Ballet (Materia)