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Three typed and 11 handwritten pages, two pages of photocopy
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Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel
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One file containing handwritten notes and typed breakdown of the ballet. The material comprises
- Three typed pages of breakdown of the action of the ballet by Act and Scene, with timings, with annotations by Kenneth MacMillan in blue/black ink, black biro and purple felt tip pen. Each page signed by Kenneth MacMillan
- Four handwritten pages of breakdown of the ballet by Act and Scene, with timings. By Kenneth MacMillan tbc in blue felt tip pen
- Two handwritten pages of breakdown of the ballet by Act and Scene, with timings. By Kenneth MacMillan in black felt tip pen on Hotel Schlossgarten, Stuttgart, headed notepaper. The ink is bleeding a little
- Five handwritten pages of breakdown of the ballet by Act and Scene, with timings. By Kenneth MacMillan in black biro with additions in blue felt tip pen
- Photocopy of a two page handwritten letter from Kenneth MacMillan to Gillian Freeman enclosing the 'breakdown for the Mayerling file*, with some thoughts on the ballet. From the Clement Crisp Collection, found in a press cutting file. n.d.
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- MacMillan, Kenneth (Sujet)