Dossier 30 - Birmingham Royal Ballet, 1991-1992

Zone d'identification

Cote

RAD/2/MAC/7/30

Titre

Birmingham Royal Ballet, 1991-1992

Date(s)

  • 1991-1992 (Création/Production)

Niveau de description

Dossier

Étendue matérielle et support

Three handwritten and 25 photocopied faxes, one interdepartmental communication, two typed letters, two agreements, one envelope, seven typed pages of lists and three pages of press release

Zone du contexte

Nom du producteur

(1929-12-11 - 1992-10-29)

Notice biographique

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

Nom du producteur

Notice biographique

Histoire archivistique

Source immédiate d'acquisition ou de transfert

Zone du contenu et de la structure

Portée et contenu

This file contains

  1. Faxes from Birmingham Royal Ballet (BRB) Press Office re interviews about The Burrow, Sep/Oct 1991
  2. Faxes between Kenneth MacMillan and BRB about the first performance of Romeo and Juliet by BRB, Feb-Apr 1992
  3. Correspondence and contracts from BRB for The Burrow and Romeo and Juliet, Oct 1991-May 1992

Appraisal, destruction and scheduling

Accruals

System of arrangement

Zone des conditions d'accès et d'utilisation

Conditions d'accès

Conditions governing reproduction

Language of material

    Script of material

      Language and script notes

      Caractéristiques matérielle et contraintes techniques

      Finding aids

      Zone des sources complémentaires

      Existence and location of originals

      Existence and location of copies

      Related units of description

      Descriptions associées

      Zone des notes

      Identifiant(s) alternatif(s)

      Mots-clés

      Mots-clés - Lieux

      Mots-clés - Noms

      Mots-clés - Genre

      Zone du contrôle de la description

      Identifiant de la description

      Identifiant du service d'archives

      Rules and/or conventions used

      Statut

      Niveau de détail

      Dates of creation revision deletion

      Langue(s)

        Écriture(s)

          Sources

          Archivist's note

          Faxes received by Kenneth MacMillan have been photocopied onto archival acid free paper. Some have been photocopied across two pages to include details of sender and dates sent and received

          Accession area