Dossier 30 - Birmingham Royal Ballet, 1991-1992

Área de identidade

Código(s) de referencia

RAD/2/MAC/7/30

Título

Birmingham Royal Ballet, 1991-1992

Data(s)

  • 1991-1992 (Creación)

Nivel de descrición

Dossier

Extensión e medio

Three handwritten and 25 photocopied faxes, one interdepartmental communication, two typed letters, two agreements, one envelope, seven typed pages of lists and three pages of press release

Área de contexto

Nome do creador

(1929-12-11 - 1992-10-29)

Biografía

Kenneth MacMillan was born in Dunfermline, Scotland, and began ballet classes in Retford, England, in 1940. He joined the Sadler's Wells Ballet School in 1944 and later the Sadler's Wells Ballet but gave up dancing for choreography partly due to crippling stage fright. His first choreographic work was Somnambulism, created for the Sadler's Wells Ballet Choreographic Group in 1953 and he created works for both Royal Ballet companies throughout his career. He created significant works for The Stuttgart Ballet and his works are danced by ballet companies world-wide. He has also created work for television and cinema.
Kenneth MacMillan was Director of the Deutsche Oper Ballet in Berlin from 1966 to 1969, Artistic Director of The Royal Ballet from 1970 to 1977 and its Principal Chroreographer from 1977 until his death. He was also Associate Director of American Ballet Theatre from 1984 to 1989, and Artistic Associate of the Houston Ballet from 1989 to 1992.
Kenneth MacMillan was knighted in 1983, and he received honorary degrees from the University of Edinburgh (1976) and the Royal College of Art (1992). His awards include the Evening Standard Ballet Award (1979); Society of West End Theatre Ballet Award, 1980 and 1983; and, posthumously, the Laurence Olivier Award for Best New Dance Production in 1993 for The Judas Tree; the Society of London Theatre Special Award in 1993; and the Tony Award for Best Choreography in 1994 for Carousel

Nome do creador

Historia do arquivo

Fonte inmediata de adquisición ou transferencia

Área de contido e estructura

Alcance e contido

This file contains

  1. Faxes from Birmingham Royal Ballet (BRB) Press Office re interviews about The Burrow, Sep/Oct 1991
  2. Faxes between Kenneth MacMillan and BRB about the first performance of Romeo and Juliet by BRB, Feb-Apr 1992
  3. Correspondence and contracts from BRB for The Burrow and Romeo and Juliet, Oct 1991-May 1992

Valorización, destrucción e programación

Acumulacións

Sistema de arranxo

Área de condicións de acceso e uso

Condicións que rixen o acceso

Condicións

Idioma do material

    Escritura do material

      Language and script notes

      Características físicas e requerimentos técnicos

      Instrumentos de descrición

      Área de materiais relacionados

      Existencia e ubicación de orixinais

      Existencia e localización de copias

      Unidades de descrición relacionadas

      Descricións relacionadas

      Área de notas

      Identificador(es) alternativo(s)

      Puntos de acceso

      Puntos de acceso á área temática

      Puntos de acceso ao lugar

      Nome dos puntos de acceso

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      Área de control da descrición

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      Identificador da institución

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      Estado de elaboración

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      Datas de creación revisión eliminación

      Idioma(s)

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          Nota do arquiveiro

          Faxes received by Kenneth MacMillan have been photocopied onto archival acid free paper. Some have been photocopied across two pages to include details of sender and dates sent and received

          Área de acceso