One typed letter on two pages of 'Art Gallery and Museums and The Royal Pavilion' headed notepaper, from Mrs Lou Taylor, Costume Department, about material relating to Les Ballets 1933 held in the museum collections and asking for any help Kenneth MacMillan could offer in identifying some of the costumes, 19 July

Kenneth MacMillan choreographed three versions of the one act ballet The Seven Deadly Sins between 1961 and 1984. The purpose of this Benesh Movement Notation score was to record the choreographic content of excerpts from Kenneth MacMillan's three existing productions of The Seven Deadly Sins as a resource for the creation of a new, site-specific production at Wilton's Music Hall, London in 2019. This file comprises

1. 15 pages comprising a title page, background to the project and details of cast and actions and a stage plan of Wilton's Music Hall, 2019
2. A copy of the master score, 71 pages

Piano vocal score for Die 7 Todsunden der Kleinburger (The Seven Deadly Sins) by Kurt Weill and Bertold Brecht, published by Edition Schott, printed in Germany. The front cover has an image of the two Annas, in black and white with blue highlight, the back cover has an image of the house. With some annotations by Kenneth MacMillan on the contents page, in black felt pen. There is a typed interdepartmental memo slipped into the volume at page 115 which gives the names of the Seven Deadly Sins Singers

One photograph of Anya Linden as the Dancing Anna, signed 'Dearest Kenneth, love from Anya'