Kenneth MacMillan was commissioned by Granada Television to create a new version of the Bertolt Brecht/Kurt Weill The Seven Deadly Sins specifically for the cameras. It was titled The Seven Deadly Sins of the Bourgeoisie following Brecht's original 1933 German title, and included music from The Threepenny Opera. The work was first transmitted on 22.4.1984. Material in the files includes handwritten notes by Kenneth MacMillan, research material, correspondence, rehearsal schedules and camera scripts

This file includes reference materials, pre-production correspondence and some post-production material. It comprises:

1. Three typed pages of biography and two b/w photographs of two ballroom dancers, Peter Maxwell and Vicki Regan
2. Photocopies of reference images of America in the 1920s, plus one page about Kuhle Wampe oder Wem Gehort die Welt? the film worked on by Bertolt Brecht, Germany 1931.
3. One page typed letter from Helen McMurray to Kenneth MacMillan, researcher, enclosing the Auden translation and a plain prose crib from Berlitz Translations, 20.8.1982
4. One handwritten and two typed letters from Helen McMurray to Kenneth MacMillan, enclosing handwritten rehearsal schedule 22.9.1982, timings and some press cuttings 25.11.1982 and draft submission to Equity re Lesley Browne 26.11.1982
5. One typed letter from Steve Hawes, Producer, to Kenneth MacMillan, enclosing information on what was happening in Germany and to the Brechts in the months leading up to the first performance of the Seven Deadlies in Paris, 26.1.1983
6. One handwritten letter from Christopher Logue to Kenneth MacMillan, enclosing copies of correspondence with Granada Television re Logue's commission to prepare a new translation of The Seven Deadly Sins, with a photocopy of his translation of the Prologue, 2.6.1983
7. One typed letter from Steve Hawes to Kenneth MacMillan with photocopy of biography of Kenneth MacMillan for ITV's Handbook, 13.6.1983
8. One typed letter from Denis Forman, Chairman of Granada Television, 22.6.1983
9. Photocopies of six pages of script with 15 pages of printed music and a covering note from Steve Hawes, asking for Kenneth MacMillan's opinion, undated
10. One handwritten letter from Helen McMurray to Kenneth MacMillan enclosing photocopies of press reviews June 1983-April 1984, letter dated 1.5.1984
11. Eight page soft-back booklet with extending covers produced by Granada Television, containing colour reproductions of some of the costume designs by Yolanda Sonnabend, cast list and production credits, brief background and selected biographies, with a handwritten compliments slip from Helen McMurray, undated
12. One handwritten postcard from Michael Leonard (surname illegible) congratulating Kenneth MacMillan on the new work, undated

The material in this file comprises:

1. Photocopy of the text for The Seven Deadly Sins of the Petty Bourgeoisie, translated by W.H.Auden and Chester Kallman, with handwritten annotations by Kenneth MacMillan, in graphite and coloured pencils, blue and black felt tip pen. Nine pages, undated
2. Typed Scenario - First Draft for Seven Deadly Sins Prologue, from Kenneth MacMillan and Derek Bailey, with handwritten annotations by Kenneth MacMillan in graphite and coloured pencil. Three pages, dated April 83 by Kenneth MacMillan in blue biro on first page
3. Handwritten chronology by Kenneth MacMillan of the 7 deadlies (sic) including dates of meetings and discussions, 20 May 1982-4 May 1983, in blue biro, on envelope postmarked 17 Jun 1983
4. Two pages of handwritten notes by Kenneth MacMillan, with timings, lists of characters and rehearsal schedule, in black ink
5. Three photocopied pages of Costume Requirement with lists of characters by scene and which costumes will be made and which hired, undated
6. Two photocopied pages of the Cast List, one with handwritten annotations by Kenneth MacMillan in black ink, undated

The material comprises:

1. Four typed pages of Studio Schedule, three dated 2.2.1983, one undated
2. Five typed pages, one page of Role Resume giving details of six performers and their roles and scenes, together with four pages of each performer's rehearsal schedule, undated
3. 21 photocopied pages of typed daily rehearsal schedule with performers' names and the scene being rehearsed, 20.6.1983 - 15.7.1983
4. 26 typed pages of Rehearsal Schedule, including details of the Production Team, Daily Rehearsal lists, Cast List and Corps Role Resume, on blue paper. Issued 16.6.1983
5. 27 typed pages of Camera Script including details of the Production Team and Cast, on blue paper. Issued 17.7.1983