The material in this file comprises

1. One unlined notebook with Kenneth MacMillan's thoughts on the play and its production, n.d.
2. An extract from A Look at Tennessee Williams by Mike Steen, publ. Hawthorn Books, USA, 1969, which is an interview with Estelle Parsons about performing Tennessee Williams
3. American Blues: The Plays of Arthur Miller and Tennessee Williams by Kenneth Tynan, a chapter from The Modern American Theatre ed. by Alvin B. Kernan, publ. Prentice-Hall, New Jersey, USA, 1967

The contents of this file comprise

1. A bound version of the script for Kingdom of Earth, with handwritten annotations, some by Kenneth MacMillan, the script provided by the Hampstead Theatre, n.d.
2. A typed note from Louise Jeffreys on Hampstead Theatre letter headed paper, giving details of the next production meeting, n.d., with handwritten notes by Kenneth MacMillan on the reverse

The material in this file includes two pages of Interview details with handwritten annotations by Kenneth MacMillan, one handwritten list of Lighting Notes, uncredited but likely by John B. Read, who designed the lighting for this production and for most of Kenneth MacMillan's ballets, n.d., production schedules and lists, including provisional props list

The material in this file comprises

1. Three programmes and two booking forms
2. 29 hand written show reports for each performance, completed by Karen Ballard, Stage Manager, with three handwritten covering notes, 18 Apr-19 May 1984
3. One telegram and three postcards wishing good luck, one from Michael [Attenborough], one from Keith [Grey]
4. One poster for the production at the Hampstead Theatre, inscribed 'Darling Sara, Thank you for the play, all my love Kenneth' (filed in Kenneth MacMillan Archive Large Box 55a)

Kenneth MacMillan acquired the rights to produce Tennessee William's Kingdom of Earth in 1982 and directed the first professional performances at the Hampstead Theatre, London, in April 1984

The second play that Kenneth MacMillan directed was August Strindberg's The Dance of Death for the Royal Exchange Theatre, Manchester, England, in 1983

A typed script of The Seagull by Anton Chekhov translated by Michael Frayn, Sep 1985, 84 pages including title page, 14 pages of introduction with a note on the translation by Michael Frayn, one page of characters, one page on the pronunciation of names and 67 pages of the play, Sep 1985, with compliments slip from Fraser & Dunlop Scripts Ltd,

A typed copy of the script for The Pelican by August Strindberg, translated by Jonas Gustafson assisted by Nicholas Gilbrook, copyright 14.11.1983, comprising a title page and 44 pages of script with cast of characters at top of page one. Unbound

Following Kenneth MacMillan's successful production of Kingdom of Earth, he received the following in relation to Tennessee Williams's play Clothes for a Summer Hotel

1. Letter from Saraband Associates enclosing a script and letter from Maria St Just, 12.7.1984
2. Copy of a letter from Maria St Just to Kenneth MacMillan, congratulating him on his production of Kingdom of Earth and asking him to consider directing Clothes for a Summer Hotel. The letter mentions other possible projects based on the works of Tennessee Williams, 9.7.1984
3. Copy of the script for Clothes for a Summer Hotel, 'a further revision, by the author, of the acting text published by Dramatists Play Service in 1981'. 81 pages including background details to the production, author's note, cast for the first performance and 39 pages of script, unbound and undated

This is a second copy of the script by Roxane Shafer for her play Come the Revolution and comprises both Acts I and II, with a title page, list of principal characters and 103 typed pages of script with a piece of plain blue paper dividing Acts I and II. In yellow card covers, dated copyright 1984